
Mindy Kaling: The Writer-Performer Who Built Her Own Development Pipeline
The youngest writer on The Office's staff turned a supporting character into a producing empire that now feeds three streamers at once.
Long-form portraits of actors, writers, directors and crew, reported with time on set and questions about the work instead of the private life.

The youngest writer on The Office's staff turned a supporting character into a producing empire that now feeds three streamers at once.

Girlfriends, The Game, and Being Mary Jane built a twenty-five-year argument that Black drama belongs on every screen available.

Hired to write for 30 Rock in his early twenties, he became Troy, then Childish Gambino, then the creator of Atlanta — and the template for the multi-hyphenate decade.

Four acting Emmys in four years made her television royalty; a deliberate pivot to directing made her something rarer — a filmmaker trained on set.

Trained at Harvard Law, allergic to staying in one genre, the writer-producer has been building courtroom empires on television since the late 1980s.

A solo stage piece about grief and desire became Fleabag, six Emmys, a Bond screenplay, and a blueprint for turning intimacy into intellectual property.