To put it mildly, this weekend’s box office race is a no-brainer. There’s no chance in the world that Deadpool & Wolverine, which teams up the two titular Marvel legends for the first time, won’t top the box office. Even though Marvel’s been on a downward spiral in terms of box office lately, the film is bending over backward to attract fans who feel alienated by the franchise’s new direction, and the early fan reviews suggest this will be the first truly beloved Marvel film since Spider-Man: No Way Home. 

To note, that Marvel movie opened at the height of the pandemic, but still grossed an insane $260 million in its opening. To be sure, no one expects the R-rated Deadpool & Wolverine to open quite that big, but it should slice and dice its way through the current record for an R-rated opening weekend, which currently is held by the first two Deadpool movies, with the original opening with $132.4 million and the sequel making $125.5 million. It should also beat the year’s current champ, Inside Out 2, which made a mighty $154 million. I expect something in the $200 million range.

The question remains: How will Twisters fare on its second weekend? The film made a strong $80 million plus, and this weekend, it looks likely to make in the $40 million-ish range, which would be a great result. Third place should go to Despicable Me 4, which should make about $12 million. Inside Out 2 and Longlegs should be neck-in-neck for fourth and fifth place, with about $7 million a piece.

Here are my predictions:

1. Deadpool & Wolverine: $200 million
2. Twisters: $40 million
3. Despicable Me 4: $12 million
4. Inside Out: $7 million
5. Longlegs: $6 million

How much do you think Deadpool & Wolverine will make? Let us know in the comments!

An adaptation of the Stephen King novel The Long Walk (which was, like The Running Man and Thinner, published under the pen name Richard Bachman) has been trudging through development hell for decades. At one point, the rights were in the hands of Frank Darabont, who made the King adaptations The Shawshank Redemption, The Green Mile, and The Mist. Then the rights passed over to New Line Cinema, where Scary Stories to Tell in the Dark director André Øvredal was hired to direct the film from a screenplay by James Vanderbilt, whose credits include the two most recent Scream movies. While doing the press rounds for his film The Last Voyage of the Demeter last year, Øvredal revealed that he was no longer involved with The Long Walk, and said not making that movie is one of the big regrets of his life. Last November, Francis Lawrence, whose previous credits include Constantine, I Am Legend, Water for Elephants, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay – Parts 1 and 2, Red Sparrow, Slumberland, and The Hunger Games: The Ballad of Songbirds and Snakes, signed on to direct The Long Walk for Lionsgate… and now the project has finally made it into production. With filming underway, Deadline has revealed that the cast includes Cooper Hoffman (Licorice Pizza), David Jonsson (Alien: Romulus), Garrett Wareing (Ransom Canyon), Tut Nyuot (The Witcher: Blood Origin), Charlie Plummer (National Anthem), Ben Wang (American Born Chinese), Jordan Gonzalez (Pretty Little Liars: Summer School), Joshua Odjick (Welcome to Derry), and Roman Griffin Davis (Jojo Rabbit).

Strange Darling writer JT Mollner has written the screenplay for the version of The Long Walk that’s being made. The novel is set in a future dystopian America ruled over by a militaristic dictator, and the titular event is an annual contest in which 100 teenagers must keep a steady pace of at least four miles an hour under strict rules until only one of them is left alive. The winner receives “The Prize”: anything they want for the rest of their life. The story follows Raymond Garraty, a 16-year-old from Pownal, Maine, as well as a group of other teenagers with good, bad, and mysterious intentions.

Lawrence is producing the film through his company about:blank, alongside Roy Lee, Cameron MacConomy, and Steven Schneider. Meredith Wieck and Erin Jones-Wesley are overseeing for Lionsgate. Filming is taking place in rural locations throughout the province of Manitoba, and will continue through the summer.

Are you glad to hear that The Long Walk is finally in production, with Francis Lawrence at the helm? Share your thoughts on this one by leaving a comment below.

Chefs Get Pickled, on September 21, 7-10 pm at SPF Chicago, local chefs compete in the inaugural chef pickleball tournament, hosted by Jeff Mauro, with food and drinks. Tickets: $99/person.

House of Gourmet Italian Dinner, presented by Eataly, on September 25, 6-9 pm at Chicago History Museum, features a multi-course meal and curated beverages by Southern Glazer's Wine & Spirits, with emcee Mario Rizzotti. Tickets: $225/person.

Tacos & Tequila, co-hosted by Rick Bayless and Marcos Carbajal and presented by US Foods and The Tourism Board of Guadalajara, Mexico, is September 26, 7-10 pm at Harris Theater Rooftop. Savor tacos, premium agave spirits, cocktails, and music. Tickets: $120/person.

Somm Sessions, presented by Southern Glazer's Wine & Spirits, is September 27, 12-2 pm at Adalina Chicago. This upscale luncheon features wine and music pairings by top sommeliers. Tickets: $250/person

Hamburger Hop, co-hosted by Joe Flamm and Adrienne Cheatham, and presented by Sysco, Blue Moon Light, and DoorDash, is September 27, 6-9 pm at Harris Theater Rooftop. Indulge in burgers, brews, wine & spirits, as celebrity judges crown the best. Tickets: $130/person.

Late Night Gourmet, presented by and hosted at TAO Chicago is September 27, 9 pm-midnight. Co-hosted by Joe Sasto and Amanda Barnes, enjoy late-night bites, specialty cocktails, and dancing. Tickets: $75/person.

Grand Cru, featuring world-class cuisine and wines, is hosted by Paul Kahan and presented by UnitedHealthcare® and BMW USA, on September 28, with sessions 2-5 and 7-10 pm at Harris Theater Rooftop. Tickets: $255/person

Rise & Shine Gourmet, co-hosted by Art Smith, Lorena Garcia, and Jernard Wells, and presented by Performance Foodservice and Kerrygold, offers a decadent brunch with cocktails and music September 29, 11 am-2 pm at Harris Theater Rooftop. Tickets: $105/person.

SOURCE Illinois Restaurant Association

Before The Penguin waddles into San Diego Comic-Con on Saturday, Matt Reeves and producing partner Dylan Clark are here to reveal what could have been for the “Batman Epic Crime Saga” coming to theaters and television screens. While the plan to launch films and TV series set in the duo’s Bat-verse remains, they’ve needed to scrap plans for anticipated projects as WB continues to waffle over the Dark Knight’s focus. In addition to discussing the Penguin series, starring Colin Farrell as the up-and-coming crime kingpin Oswald Cobblepot, we’ve got a better picture of what the scrapped Gotham PD and Arkham Asylum series might have been.

Speaking with Entertainment Weekly, Penguin showrunner Lauren LeFranc says the show is “a Scarface story.” No, not the Batman villain Scarface (I wish), but a rise-to-power narrative like Brian De Palma’s 1983 classic, which starred Al Pacino as Tony Montana. “It’s a rise-to-power story of Oz before he really makes it to the top.”

In addition to Penguin, Reeves wanted to explore the corruption in the Gotham Police Department in Gotham PD with Boardwalk Empire creatorTerrance Winter. Another project that went up in flames was a show set inside Arkham Asylum, Gotham’s psychiatric center for the city’s most uniquely challenged and criminally insane individuals. “As we were writing the movie [The Batman], I was like, ‘Hey, you know what? I think there are some cool shows that we could do,” Reeves recalls. “It was actually why I wanted to make our deal at Warner Bros.”

Reeves says the WB executives offered guidance but ultimately passed on both projects in favor of developing shows focusing on marquee characters from the Batman universe. “They were like, ‘We like what you’re doing, and we want to lean harder into the marquee characters,'” Reeves notes. Thankfully, elements of what would have been Gotham PD make it into The Penguin. “What’s interesting is that, in the movie, the big red herring of the story is it seems like the person they’re looking for, that the Riddler’s pointing to must be the Penguin, some kind of informant,” Reeves explains. “This movie creates a power vacuum, and because Penguin is so underestimated, people don’t really see who he is.”

He adds, “We wanted it to be, not in a grandiose way, but in a mythic Shakespearean way, this kind of great tale.”

We already know The Penguin bridges the gap between The Batman and its sequel, but what else can fans expect as Reeves and Clark explore Batman’s rich history and rogue’s gallery?

“There’s another television exploration we’re going to do,” Clark says. “We’re looking at this entire world as it relates to who Batman is — the antagonists around them, all the crime that has to be navigated in the city — and trying to figure out where are the areas that are best to explore.”

Damn. I would have liked to see Gotham PD and whatever the Arkham Asylum show would be. I understand why WB isn’t keen on doing a show about corrupt cops, but stories set in the GCPD are some of the best Batman has to offer. Don’t believe me? Read Gotham Central and GCPD: The Blue Wall. You’ll thank me later.

The six-night cruise is the sixth and final sailing for Golden Fans at Sea. The cruise stops in the ports of Grand Cayman, Cozumel, Mexico, and Bimini, Bahamas.

Golden Fans at Sea is a celebration of all things Golden Girls. During the day, guests participate in trivia games, 80s dance parties, unique panels related to the show, Golden Girls themed pool parties, musical shows, karaoke, and character costume contests. The cruise is a Golden Girls fan dream! Previous sailings have had over 1000 guests participate in the golden festivities.

Special guests for the 2025 cruise include Stan Zimmerman ( original writer of Golden Girls), Golden Gays (A Golden Girls Drag Tribute Group), and more to be announced soon. Golden Fans at Sea allows guests to have unique one-on-one experiences with our guests. The entertainers will host panels, bingos, Golden Girls musical shows, and more.

Guests must book through GoldenFansAtSea.com. This is the only way to gain access to the special events and excursions.

Pricing begins at $1694. The price covers open bar, meals, taxes, activities, WiFi, and gratuities.

Thank you for being a friend on the high seas!

Any questions about the cruise should be directed to Cindy Levine from Dream Vacations. Her email is [email protected] and phone number is 480-861-6427.

SOURCE Flip Phone Events

Most people have had to live with someone after leaving home, and if you’re lucky, that person is a drama-free friend. If you’re unlucky… well, you might just find yourself on Netflix’s Worst Roommate Ever series. That unscripted series is set to become a feature film, as Paul Feig has been tapped to direct a Worst Roommate Ever movie for Blumhouse.

The movie revolves around a “newly single woman finding a seemingly perfect gentleman to sublet the spare room in her dream home, only to learn his deceit goes beyond a phony name and application. She has unwittingly invited a serial squatter into her home, and he won’t leave without a fight.”

“Worst Roommate Ever resonates so much because as the internet has connected so many of us, it also makes it easier than ever to lie about who you are. But then the story is jaw-dropping and keeps you on the edge of your seat,” said Blumhouse CEO and founder Jason Blum. “Paul is the perfect director for this because his work always manages to strike a balance between the dark and the light, and I’m very excited to see everything he will bring to this story.“

Feig added, “Jason and I have been trying to find the perfect project to collaborate on for years and this story is tailor-made to deliver the scares, thrills, emotion and comedy of dread that both he and I like to entertain audiences with. In other words, I couldn’t be happier to have Jason as the best roommate ever for this film.“

The Worst Roommate Ever TV series was inspired by William Brennan’s 2018 New York Magazine article. It has spanned two seasons, with the second premiering on the streaming service last month.

Paul Feig recently wrapped production on A Simple Favor 2, the sequel to his 2018 mystery-comedy. Blake Lively and Anna Kendrick return to reprise their roles. The sequel is said to follow Stephanie (Kendrick) and Emily (Lively) as they head to the beautiful island of Capri for Emily’s extravagant wedding to a wealthy Italian businessman. Throw in glamorous guests, betrayal, and a little murder, and we should have a fun mystery on our hands. The film doesn’t have an official release date yet but is expected to debut on Prime Video.

ATLANTA, July 24, 2024 /PRNewswire/ -- REVOLT, the leading Black-owned independent multimedia company, today proudly announces its summer 2024 podcast lineup. Featuring 15 vibrant shows spanning culture, entrepreneurship, entertainment, social issues, relationships, mental health, and more, this diverse array of content reflects REVOLT's commitment to showcasing a broad spectrum of voices. Notably, the lineup includes several podcasts led by women, highlighting the platform's ongoing dedication to empowering and spotlighting talented female hosts.

With programming that embraces voices from marginalized communities, emerging creatives, and industry leaders, REVOLT's summer 2024 podcast lineup aims to inspire, educate, and entertain listeners globally. The REVOLT Podcast Network fosters a space where genuine storytelling thrives, whether exploring the intricacies of Black culture or illuminating universal human experiences, ensuring each listener discovers content that resonates on a personal level.

"We're excited to expand the REVOLT Podcast Network with our summer 2024 lineup," said Aki Garrett, VP of Business Development and GM. "Each show aims to entertain, inform, and spark meaningful conversations, delivering impactful content. We look forward to these podcasts inspiring listeners worldwide."

The announcement of REVOLT's summer 2024 podcast lineup coincides with the launch of its #PoweredByCreators campaign, highlighting the talent and creativity of network creators. Executed across REVOLT Podcast Network social media, it will feature behind-the-scenes content on podcast creation and pitching. Additionally, REVOLT Podcast Network will partner with Alive Podcast Network to cross-promote shows and be featured in an episodic series spotlighting REVOLT's podcasters' journey, in collaboration with the Marcus Graham Project.

REVOLT stands at the forefront of multimedia innovation, dedicated to amplifying diverse voices and narratives. Delivering compelling content that sparks dialogue and fosters understanding across cultures and perspectives, the company continues to enrich the podcasting landscape. REVOLT strives to push boundaries, celebrate authenticity, and shape the future of storytelling in the digital age.

The 15 exciting new podcasts within REVOLT's summer 2024 lineup include:

• BagFuel: Bagfuel offers insights and formulas for financial freedom, exploring cultural phenomena, and driving innovation for entrepreneurs, influencers, and Hip-Hop enthusiasts.
• Behind The Silk: Hosted by Ericka Nicole, Behind The Silk explores self-care practices and provides practical, relatable advice.
• Blerds & Clips: Join B.K.A Watts and Vigatron as they discuss TV shows, movies, nerd culture, and more.
• Can We Talk RnB: This podcast delves into the history, culture, and future of R&B with interviews from industry professionals.
• Cookin' Up 215: Artists and entrepreneurs have raw conversations over drinks and a home-cooked meal.
• First Gems Podcast: Four cousins discuss stories and journeys of multicultural, first-gen millennial creatives and leaders.
• Kreative Convos: Jiggy Jones explores the minds of top creatives, entrepreneurs, and cultural trailblazers.
• No Negations: A weekly podcast offering self-love, relationships, healing, and comedy from a family and faith perspective.
• Nurse Kee Said: Nurse Kee shares practical dating tips, spiritual guidance, and authentic conversations about life as a single Black woman.
• On The Move with Maki: Hosted by Makisha Noël, this podcast features stories of diverse creatives in the digital landscape.
• Santana Says: Hosted by Melissa Santana, this podcast covers life topics from roadblocks to relationships.
• The G Code with Adri V The Go Getta: Adri V and her guests share "The G Codes" to success every Wednesday.
• The Perfect Network: Hosted by Rio Harris, this entertainment news show offers exclusive access to stars and daily celebrity coverage.
• Therapy Is Life w/ Gerald Mcgee: Gerald Mcgee's podcast focuses on navigating life's issues through therapy.
• Untitled Africans Podcast: Two Kenyan-American young adults discuss the trials of growing up and being in their 20s, from dating to careers.

The new summer 2024 shows are available to listen to on the REVOLT Podcast Network now. For more information, please visit https://www.revolt.tv/ and visit www.revolt.tv/providers to find REVOLT in your area.

ABOUT REVOLTREVOLT is the leading Black-owned and operated multimedia platform servicing content 24/7 across digital, linear, and live media channels. The platform produces rich content and original material with the biggest names in Hip-Hop, along with reports of breaking news, current events, trends, and announcements within the Black cultural movement and Hip-Hop world. REVOLT takes pride in its diversity, both in its mindset and its company makeup, further instilling its dedication to culture within its staff and audiences. Founded in 2013, REVOLT attracts over 50 million millennials and Gen Z audiences through their disruptive, authentic material across all platforms. In 2021, REVOLT launched a brand new digital mobile app where users can view extended releases, live updates from relevant news, exclusive specials and much more.

SOURCE REVOLT

Free Guy was a big hit upon its release in 2021, grossing over $300 million during the pandemic. Disney was quick to get the ball rolling on a sequel, but so far, we’ve heard very little about Free Guy 2, and director Shawn Levy isn’t optimistic it will ever happen.

While speaking with THR, Levy had this to say when asked about Free Guy 2: “We’ve worked for two years on ideas and scripts. I’m less certain now, because, like Adam Project, we’re really proud of the movie and we don’t need to make sequels. If we don’t crack a story that feels very worth making, we’d rather just make a different movie.” Although I had fun with Free Guy, it wasn’t a movie that screamed “I need a sequel” to me. As Levy said, not every movie needs a sequel, and if they can’t crack a worthwhile story, it’s best just to leave it alone.

Levy’s statement about the future of Free Guy 2 may be a little bleak, but it echoes what he said in 2022 about not rushing the project. “It’s still in development. I don’t know if it’s in the cards, but it is very much still in development. It’s something that Disney and Fox want badly,” Levy said. “I really try to not make sequels that don’t deserve to be. And it’s why I didn’t move forward with the Real Steel sequel because I didn’t feel we had a second movie that could match or top the first. I’m holding Free Guy to that same standard. We are still hearing ideas, developing ideas, expounding on ideas. But I would say that in the time that’s passed since Free Guy came out, the love for that movie has become more and more clear to Ryan and I, anecdotally, on sidewalks, in the press. So we’re not going to mess with a good thing unless we can make a great thing.“

Although Free Guy 2 may never happen, we’re mere days away from the release of Deadpool & Wolverine. The long-awaited sequel finally brings Deadpool into the Marvel Cinematic Universe, and he’s bringing Hugh Jackman’s Wolverine with him. Be sure to check out a spoiler-free review from our own Chris Bumbray before the movie hits theaters on July 26th.

Would you like to see Free Guy 2?

Marvel movies are typically filmed under a shroud of intense secrecy, but leaks do happen, particularly when the shooting occurs outside the safety of the studio. We saw that in a big way when Deadpool & Wolverine started shooting in London last year, and the paparazzi were responsible for plenty of leaks. This even led director Shawn Levy to drop the first photo of Deadpool and Wolverine together before the paparazzi had the chance. However, Levy told Entertainment Weekly that these leaks were worth it for the ability to film on practical sets outdoors.

“It’s been really challenging because, long before our first day of shooting, Ryan and I, with [Marvel President] Kevin Feige’s blessing, made a decision as producers to have this movie look and shoot different than most other MCU movies,” Levy said. “That meant limited sound stages, limited green screen, and way, way more practical scenes shot in real-world exterior locations.“

Levy continued, “With that decision came risk, and that risk was illustrated on day 1, shooting in a quarry where a phalanx of paparazzi was perched up above on a hillside. That’s the price we paid for wanting a movie that felt grounded and real. And I will tell you, that’s a price we’re comfortable paying when it comes to some of the secrets and surprises in the movie.“

Despite the leaks, there are still plenty of secrets left to be found in Deadpool & Wolverine. The film is poised to be a big return to form for Marvel, particularly at the box office, where the film is predicted to debut with a $360 million global opening. Our own Chris Bumbray had a lot of fun with the movie, saying the film is a “rock ‘em, sock ‘em thrill ride that delivers fans exactly the movie they wanted to see, with nary a message to be found amidst all the charred, sliced and diced corpses our heroes leave in their wake. It’s glorious fun.” You can check out the rest of Bumbray’s spoiler-free review right here before the film hits theaters on July 26th.

LEXINGTON, Ky., July 25, 2024 /PRNewswire/ -- The highly anticipated season finale of Hulu's 'The Kardashians,' releasing at 12:00am ET on July 25, 2024, features the celebrity family exploring cutting-edge health interventions focused on longevity. During the episode, Kim, Kris, and Khloe Kardashian, joined by Scott Disick, discover the results of a biological age test they've taken, which reveal how quickly or slowly they are aging.

In the episode, the Kardashians sit down with Dr. Matt Dawson, CEO of TruDiagnostic, the epigenetics company that produces the biological age kits. Dr. Dawson walks the Kardashians through the detailed findings of their tests and explains the significance of epigenetic markers and how they relate to their overall health and aging process.

Age is the #1 most predictive biomarker for disease, so the conversation underscores the importance of optimizing one's biological age, which can differ significantly from chronological age. Understanding the actionable steps one can take to slow or reverse the aging process can equate to meaningful risk reduction over one's lifetime.

"Your biological age is a result of your epigenetics, or the way your genes express themselves every day," says Dawson. "The exciting thing is that you can control your epigenetics through lifestyle choices like diet, exercise, and sleep. You can slow your pace of aging as a result."

The Kardashians aren't the first celebrity clients to seek out epigenetic insights from TruDiagnostic. The feature on 'The Kardashians' comes at a time when public interest in longevity and wellness is at an all-time high. The Kardashians recently attended a "Don't Die" dinner hosted by Bryan Johnson, who partners with TruDiagnostic to host the 'Rejuvenation Olympics' where thousands compete globally to decrease their rate of aging. Steve Aoki is also a known customer of the at-home biological age tests, leveraging the epigenetic results to live a longer, healthier life.

The secret behind this novel method for measuring longevity lies in TruDiagnostic's advanced DNA methylation analysis. Created in partnership with universities such as Harvard, Yale, and Duke, their algorithms assess nearly 1 million locations on one's DNA, leveraging the largest private DNA methylation database in the world. As a result, TruDiagnostic can offer the most accurate and comprehensive measure of biological age insights available.

The biological age test is available for purchase on TruDiagnostic's website: https://shop.trudiagnostic.com/products/truage-complete-epigenetic-collection.

Follow the brand's channels for ongoing epigenetic insights by following @TruDiagnosticOfficial on Instagram and @TruDiagnostic on Facebook, TikTok, and Twitter.

About TruDiagnostic

TruDiagnostic is a leading health data company and CLIA-certified laboratory specializing in epigenetic testing and research. Home to the largest private DNA methylation database globally, TruDiagnostic partners with notable biotech developers, researchers, and academic institutions to transform the healthcare potential of epigenetic data into actionable applications. The company's TruAge biological aging tests offer the most in-depth results, helping individuals and healthcare providers make informed lifestyle and medical decisions based on insights found in the fluid epigenome.

For more information about TruDiagnostic and the TruAge test, please visit www.trudiagnostic.com.

Media Contact

Katherine Gruneisen, VP of Marketing
(502) 415-5741[email protected]

General Inquiries

Hannah Went, Director of Operations(937) 570-0471[email protected]

SOURCE TruDiagnostic

The Blair Witch Project producer Michael Monello says the upcoming October Blu-ray release of the movie from Second Sight will finally “represent the filmmakers complete vision for the film” after years of sub-par transfers.

“For 25 years, Artisan/Lions Gate have been content to put out a version of this film that is NOT how the filmmakers intended it to look, with broken motion and film grain over video,” Monello said. “Now that we have an actual filmmaker and producer approved version coming out, I think I’ve earned the right to dump on a release of the transfer that Artisan did without consulting us. If they want to cash grab dump it in the market I can’t stop them, but I’m not going to shut up about something I worked so hard on being released with a shoddy transfer and the same old extras.“

Monello continued, “It hasn’t been announced yet, but there is a NEW version of the original film coming out in October with exclusive new content. and for the first time ever the film will look the way it was intended to from the beginning. Back in 1999, Artisan never consulted us on the transfer and they… I believe the technical term is ‘f***ed it all up’ and neither they or Lions Gate ever fixed it. Not even for the Blu-Ray release. The version coming will stand as the only version that represents the filmmakers complete vision for the film.“

There’s another version of The Blair Witch Project set to be released in October by Imprint (which also includes the sequel, Book of Shadows: Blair Witch 2), but it would appear it uses the same old transfer that’s been used for years. Here’s hoping the other release from Second Sight gets an official announcement before too long.

Monello got more technical about the new transfer on Reddit. “The film was shot on hi-8 and 16mm. The 16mm was transferred to video, taking it from 24 frames per second to 30 frames per second (the standard for video at the time). All of it was loaded into an editing machine and the final edited version was then ‘burned’ onto DigiBeta tape,” Monello explained. “That tape is technically the ‘negative’ of the movie. But in 1999, movies only had film negatives, there were hardly any mainstream distributed films shot on video. To distribute the movie, as well as screen it at Sundance, we had to make a 35mm print, as no theaters could show video at the time, and Sundance refused to screen video as well.“

Monello continued, “So the theatrical version everyone saw was hi-8 (30fps) and transferred 16mm film (24fps converted to 30fps) all converted to 35mm film at the standard frame rate of 24fps.” Monello said that while it wasn’t ideal, it was what could be done at the time, but the real trouble started when it came time to make a home video version of the movie.

Instead of using the digibeta master, they took the transferred 35mm negative, and transferred it BACK to video (30fps). The net result of all this transferring meant the home video version doesn’t look or feel like video anymore, and the motion is messed up. The film was supposed to look like raw video camera footage. We had no idea Artisan did that until we recorded the commentary track. When I saw the video transfer we wondered why it looked so terrible. The team recording the commentary had no answers because they had nothing to do with it, so we inquired and were told it’s all being handled right. Except it wasn’t. That terrible transfer is what was released. And it was released again that was for the BD. It sucked, but we played good soldiers and didn’t make a stink at the time.

So this new Blu-ray release of The Blair Witch Project isn’t some miraculously crisp 4K version of the movie (nor should it be), but it will be the most accurate version of the movie as the filmmakers originally intended.

It was announced earlier this year that a new reimagining of The Blair Witch Project was being developed by Blumhouse, which prompted a backlash from the original creative team as the leading actors of the first movie have never been properly financially compensated for the project.

Today we know the Blues Brothers as two of the most iconic Saturday Night Live characters in the show’s 50-year history and the stars of one of the finest comedies of the ‘80s. But you might be surprised to learn that they weren’t always given some lovin’, as some critics disapproved of the duo – that is, Dan Aykroyd and John Belushi – for playing in a genre they had no business being involved with.

Basically, the core criticism was that white people shouldn’t be singing any version of the blues, a genre with direct ties to Black people in America’s Deep South. In a new Audible series chronicling the history of the band called Blues Brothers: The Arc of Gratitude, one recently unearthed interview from 1979 – one year before the movie came out – finds John Belushi approached about this very matter, to which he replied, “It’s just weird, you know? Why would I do these things? The people watching me understand why I do it, and the band members do. The other people — there’s a certain amount of jealousy, I think, involved…. Why do I do what I do? First of all, it has nothing to do with ego, it has nothing to do with money, you know, or the need to be loved by an audience. I don’t have any of those feelings.”

Before he could really let it sink in, Belushi opened up more vulgarly about the Blues Brothers matter, adding, “What the f*ck do these people think I am, anyway? I can’t f*ckin’ understand why they would attack — see, when they attack me, they attack the band, and I hate when they attack the band, because then it makes them look like schmucks for doing what they did for me.” Belushi would also mention that having white comedians take over music typically associated with Black musicians was never the point and that he actively promotes buying the records that inspired them.

The Blues Brothers would take in $57.2 million in 1980, enough to push it into the top 10 for the year and even beat out eventual Best Picture winner Ordinary People. It, too, would spawn a sequel – and hopefully only one – which failed to perform as well as the original.

What do you make of the criticism against the Blues Brothers? Does it hold weight or is it a rubber biscuit?

FORT LAUDERDALE, Fla., June 14, 2024 /PRNewswire/ -- GalaxyCon, the largest independently owned consumer and fan engagement company, is excited to announce the expansion of its Animate! and Nightmare Weekend events into new markets in 2025. Those markets are: Philadelphia PA, Orlando FL, Chicago IL, Cleveland OH, and Savannah GA.

"We're thrilled to take our brand of unmatched entertainment and fandom to even more cities across the United States next year," says Mike Broder, founder of GalaxyCon. "These events will not only create memorable experiences that will entertain fans, but they will also drive a positive economic impact for the surrounding areas."

The just announced events include:

Nightmare Weekend Chicago – May 2-4, 2025 at the Donald E. Stephens Convention Center in Rosemont, Illinois.

Animate! Orlando – August 8-10, 2025 at the Orange County Convention Center in Orlando, Florida. 

Nightmare Weekend Cleveland – August 29-31, 2025 at the Huntington Convention Center of Cleveland in Cleveland, Ohio. 

Animate! Philadelphia – October 3-5, 2025 at the Greater Philadelphia Expo Center in Oaks, Pennsylvania. 

Nightmare Weekend Savannah – November 14-16, 2025 at the Savannah Convention Center, in Savannah, Georgia. 

Tickets are on sale now for these events at https://galaxycon.com/pages/live-events, and special celebrity guests for each city will be announced on the GalaxyCon website and social media in the coming months.

Animate! is an animation celebration with three days of anime, animation, cosplay and more. Animate! features entertainment, Q&As, video and tabletop gaming, panels, costume contests, cosplay wrestling, and so much more fandom to explore!

At Nightmare Weekend, the crypt opens up and spine-tingling fun rises from the depths over three days of scary celebrities, petrifying parties, villainous vendors, ghastly gaming, creepy cosplay contests, and fearful fun for everyone!

This announcement is part of the company's dedication to bringing engaging events to even more fans and cities across the United States in 2024, 2025, and beyond. The addition of these five events increases GalaxyCon's schedule of large-scale fandom events to fifteen in 2025, up from ten in 2024, with at least five more events planned to be announced shortly.

GalaxyCon's current 2025 calendar includes:
January 3-5, 2025: Animate! Raleigh (Raleigh, NC)March 27-30, 2025: GalaxyCon Richmond (Richmond, VA)May 2-4, 2025: Nightmare Weekend Chicago (Rosemont, IL)May 23-25, 2025: GalaxyCon Oklahoma City (Oklahoma City, OK)June 13-15, 2025: Animate! Columbus (Columbus, OH)July 24-27, 2025: GalaxyCon Raleigh (Raleigh, NC)August 8-10, 2025: Animate! Orlando (Orlando, FL)August 15-17, 2025: GalaxyCon San Jose (San Jose, CA)August 29-31, 2025: Nightmare Weekend Cleveland (Cleveland, OH)September 12-14, 2025: Animate! Des Moines (Des Moines, IA)September 12-14, 2025: Nightmare Weekend Des Moines (Des Moines, IA)October 3-5, 2025: Animate! Philadelphia (Oaks, PA)October 17-19, 2025: Nightmare Weekend Richmond (Richmond, VA)November 14-16, 2025: Nightmare Weekend Savannah (Savannah, VA)December 5-7. 2025: GalaxyCon Columbus (Columbus, OH)

"As our company continues on its rapid growth trajectory by branching out into new markets, 2025 is set up to be our most action-packed year yet," said Peter Katz, Senior VP at GalaxyCon. "We've got even more excitement planned for this year, so stay tuned!"

For media inquiries, please contact:Justin Burkhardt[email protected]610-730-3709

ABOUT GALAXYCON LLC:GalaxyCon LLC, is the largest independently owned consumer and fan engagement company. Based in Fort Lauderdale, Florida, and founded by Mike Broder in 2006, GalaxyCon is made for fans, by fans. The company organizes pop culture, anime, and horror-themed events across the United States. Celebrities and fans are united at the festival of fandom in often overlooked locations. Events in Oklahoma City, Raleigh, Columbus, Richmond, and San Jose attract between 20,000 and 50,000 fans for each show. Additionally, GalaxyCon presents Animate! and Nightmare Weekend throughout the year, reaching more consumers and fans.

GalaxyCon is more than a comic con, it is a celebration of fandom.

SOURCE GalaxyCon LLC

Prepare to get red on yourself again. Shaun of the Dead, the Edgar Wright horror-comedy that propelled him, Simon Pegg and Nick Frost into international stardom, is celebrating 20 bloody years of laughs and zombie mayhem. Deadline has reported that Focus Features will be commemorating the anniversary with a re-release screening in theaters this summer for U.S. audiences. Shaun of the Dead is set to show at Dolby Cinemas in AMC theaters for a special limited screening engagement starting on August 29.

Shaun of the Dead has the following synopsis: Shaun is a 30-something loser with a dull, easy existence. When he’s not working at the electronics store, he lives with his slovenly best friend, Ed, in a small flat on the outskirts of London. The only unpredictable element in his life is his girlfriend, Liz, who wishes desperately for Shaun to grow up and be a man. When the town is inexplicably overrun with zombies, Shaun must rise to the occasion and protect both Liz and his mother.

Director Edgar Wright looks back at the 20 years of his film and states, “Twenty years ago, the worldwide release of Shaun of the Dead changed my life forever. Its reception since then has continued to be incredible, largely due to the passionate fans who have championed it with cricket bats aloft. Now, as we celebrate its bloody 20th anniversary with a brand-new Dolby Atmos and Vision remastered version, I’m beyond excited for everyone to experience it once again on the big screen—the way it was always meant to be seen: large, loud, and with quite a lot of red on it.”

Focus Features has also released a new trailer and poster to celebrate the occasion. The studio has also set up a special Shaun of the Dead anniversary pop-up at Comic-Con to take place today. Simon Pegg is adamant that he and Wright will not be rebooting or making a sequel to the popular comedy, but he will always be interested in collaborating on more projects with him, “There’s something always in the works with Edgar and I. Since Shaun of the Dead, our lives have changed dramatically. We’re both busy into the distant future. The biggest challenge that we have right now is finding a moment to get together and spend six, seven weeks, to get our first draft out and come up with the idea. But we’re constantly looking for that. […] We just need the time to do it. So it really is a question of when, not if.“

About the Author

E.J. is a News Editor at JoBlo, as well as a Video Editor, Writer, and Narrator for some of the movie retrospectives on our JoBlo Originals YouTube channel, including Reel Action, Revisited and some of the Top 10 lists. He is a graduate of the film program at Missouri Western State University with concentrations in performance, writing, editing and directing.

 "Truth be told, I am buying stuff on Amazon every day," confesses Burruss. "And, I know I am not alone in that. Amazon is fast, reliable and convenient. I am absolutely thrilled that their extensive reach will enable our products to be available to even more customers who will truly benefit from all they offer. This exposure will also create even more opportunities for our wonderful sales reps, and, in success, attract more individuals who are looking for empowerment and independence to join our enriching and rewarding family."

Burruss' Amazon Kandi storefront will feature a wide range of her signature products, including, but not limited to, Kandi Koated, her extensive collection of luxury cosmetics celebrating diversity and inclusivity across all identities and skin tones, a line that Burruss designed for those, in her words, "seeking to express their authentic selves—individuals who know their worth and want to look and feel confident on their own terms." Kandi will also feature products from Bedroom Kandi, a renowned brand providing high-quality, luxurious intimate products and adult education to empower individuals and couples to explore and celebrate life's pleasures. With a commitment to education, Bedroom Kandi aims to break down taboos surrounding intimacy while promoting pleasure and sexual wellness.

Burruss is well-known in the entertainment industry — she starred in 14 seasons of Bravo's cultural juggernaut The Real Housewives of Atlanta and is music royalty thanks to a nearly three-decade career as a Grammy-winning singer, songwriter, and producer — Burruss is also a formidable force in business. She is a mogul who has displayed a keen instinct for launching profitable endeavors that embody her core values of family and female empowerment. Currently, Burruss' portfolio includes multimedia agency Kandi Koated Entertainment, adult toy and lifestyle brand Bedroom Kandi, cosmetics brand Kandi Koated Beauty, restaurants Old Lady Gang & Blaze Steak & Seafood, luxury women's apparel boutiques TAGS. Burruss, a social media influencer with 10.7 million Instagram followers, also appeared on the second season of Celebrity Big Brother on CBS. She is currently producing the Broadway production of The Wiz.

Founded in 2011, Bedroom Kandi's mission is to destigmatize intimacy and self-love, and promote sexual wellness and education while empowering entrepreneurs to achieve success in their independent businesses. The Home Party division was launched in 2012 with the mission to empower those looking to turn their passion into a paycheck through The Business of Pleasure™. More than 2,500 representatives are currently affiliated with the program, which was named XBiz Home Party Company of the Year four times.

For more information about Kandi Burruss and her activities, please visit her official website.

SOURCE Kandi Koated Entertainment

A new live-action vision of Hellboy will be coming to our screens soon, a franchise reboot called Hellboy: The Crooked Man that has been directed by Crank‘s Brian Taylor from a screenplay by Chris Golden and Hellboy comic book creator Mike Mignola. A few weeks ago, we got a look at a teaser trailer for the film, and while a release date has not yet been announced, the finished film has received a rating from the Motion Picture Association ratings board. Hellboy: The Crooked Man has been rated R for some violent content, language and nudity.

The 2019 Hellboy movie, directed by Neil Marshall and starring David Harbour as the title character, was also rated R, but the theatrical cuts of director Guillermo del Toro’s films Hellboy (2004) and Hellboy II: The Golden Army (2008), which starred Ron Perlman as Hellboy, were PG-13. An unrated director’s cut of the first movie was released on home video.

Hellboy: The Crooked Man will see Hellboy and a rookie BPRD agent stranded in 1950s rural Appalachia. There, they discover a small community haunted by witches, led by a local devil with a troubling connection to Hellboy’s past: the Crooked Man. In the comic, The Crooked Man was an eighteenth-century miser and war profiteer named Jeremiah Witkins who was hanged for his crimes yet returned from Hell as the region’s resident Devil.

Hellboy is played this time around by Jack Kesy, who played Black Tom Cassidy in Deadpool 2. Kesy is joined in the cast by Jefferson White of Yellowstone as Tom Ferrell and Adeline Rudolph of the Netflix Resident Evil series as Bobbie Jo Song. According Hellboy.Fandom, Tom Ferrell is a character from the comic books who “was born around 1923 in the Appalachian mountains near the Hurricane (an area locals try to avoid) to a mother we know little of and his father, Charles E. Ferrel, who had a habit of drinking in the back woods. His early misadventures with witchcraft led to a self-imposed exodus.” Tales from the Collection adds that the story will introduce parapsychologist Bobbie Jo Song, who is tasked with delivering a spider to the BPRD but must seek Hellboy’s help when things go awry. Together, they travel to Appalachia to take on the Crooked Man, who has been sent back to Earth to collect souls for the devil.

Millennium Media producer Les Weldon told us this is “a true, dark, DARK, in the style of the comic book take on it. There’s no gloss that any of the other films had. There’s a methodical pace and a real creepiness to it.“

Are you looking forward to Hellboy: The Crooked Man? What do you think of the reasons given for the R rating? Let us know by leaving a comment below.

Gina Carano is hoping to set a monumental trap against Disney, moving forward with her lawsuit against the company following her 2021 firing from The Mandalorian. That decision on the part of Disney, you might recall, stemmed from social media posts of Carano’s in which she likened hating one’s political views to Nazis persecuting Jews during the Holocaust.

While Disney did attempt to have the case tossed in the trash compactor, Gina Carano has been perseverent. “Defendants have not identified any evidence—in the Complaint or otherwise—to substantiate a claim that they employ public-facing actors for the purpose of promoting the ‘values of respect,’ ‘decency,’ ‘integrity,’ or ‘inclusion’”, a judge said this week (via Deadline). No trial dates have been set at this point.

The statement continued, “At this stage in the litigation, the Court cannot conclude, as Defendants urge it to, that Plaintiff’s continued employment by Defendants would inhibit or intrude upon Defendants’ rights to expressive association…Defendants are for-profit corporations who, as relevant to this lawsuit, employ actors such as Plaintiff, as well as administrative staff, to create television series and films.” In other words, Carano is asserting that Disney hired her to do a job and her political and personal statements have no bearing on her ability to show up and do it.

Gina Carano played former Rebel trooper Cara Dune on The Mandalorian during the first and second seasons but was fired by Disney after just a handful of episodes, with the company making the move after numerous posts with controversial views on gender, mask mandates and, finally, the Holocaust. On this matter, Disney called the posts “abhorrent and unacceptable.” Carano has gotten very little work since her 2021 firing, having appeared in two movies, one of which was the politically driven My Son Hunter.

How her lawsuit against Disney will all turn out for Gina Carano is anybody’s guess. It’s difficult to see her triumphant in terms of getting her job back but that she refuses to back down gives Disney a singular opponent in the courtroom that they rarely get.

What do you see coming of Gina Carano’s lawsuit against Disney? What do you expect to come of Carano’s career from here on out? Give us your take below.

NEW YORK, June 15, 2024 /PRNewswire/ -- North Shore Animal League America, the world's largest no-kill animal rescue and adoption organization, hosted a "Celebration of Rescue" on Friday, June 14 at the spectacular TriBeCa Rooftop under the stars, overlooking the shimmering lights of Lower Manhattan and the Hudson River. This year's event drew attendees from all sectors of New York's animal-loving community and beyond, many of whom have adopted from North Shore Animal League America. 

Animal lover/adopter and radio icon Maria Milito (NYC's & I Heart Radio's Q104.3) helmed the evening's festivities as Host and North Shore Animal League America foster-parent, spokesperson, and Board Member Beth Stern served as the event's Chairperson.

A rooftop cocktail hour under the stars was followed by the night's program, which highlighted dedicated rescue efforts and heartwarming adoptions by Animal League America. The organization's SVP of Operations Joanne Yohannan spoke passionately about the 80 years Animal League America has been leading the no-kill movement in animal welfare.

The Rachael Ray Foundation was honored with this year's Crystal Collar Award, recognizing their extraordinary dedication to Animal League America's ongoing mission to save the lives of animals in need. Rachael Ray and John Cusimano attended and accepted the award on behalf of The Rachael Ray Foundation.

American pop music icon Taylor Dayne took to the stage and had attendees up and dancing to her biggest hits and swooning to her soulful ballads.

Among the "bold face names" to stride our blue carpet while cradling adorable, adoptable puppies, in addition to Event Chairperson Beth Stern and her husband, radio legend Howard Stern, Host Maria Milito, performer Taylor Dayne, North Shore Animal League America SVP of Operations Joanne Yohannan, and The Rachael Ray Foundation's Rachael Ray and John Cusimano, were film/tv/stage Actress Kathryn Erbe, ABC News' Will Ganss, WPIX-11 Anchor Dan Mannarino, WPIX-11 Reporter Alex Lee, WPIX-11 Reporter Hazel Sanchez, Comedian Robyn Schall, SiriusXM/The Howard Stern Show Executive Producer Gary Dell'abate, North Shore Animal League America Board Member/Treasurer Don LaRocca, Jr; animal rescue & adoption advocate Bessy Gatto, and Fashion Designer Mark Bouwer.

Celebration of Rescue sponsors included Fetch Pet Insurance; Michael & Alyson Strianese; Production Solutions; MWI Animal Health; Neuberger Berman; Northwell Health; Scooter's Coffee; Zeta Global LLC; Boehringer Ingelheim; Covetrus; Morgan Stanley; Antech Diagnostics; BNY Mellon Wealth Management; Direct Mail Processors (DMP); Jovia Financial Credit Union; New York Vet Show; Tito's Handmade Vodka; Zoetis; Arthur J. Gallagher & Co.; The Kranzdorf Family; Perlman & Perlman LLP; Sanky Communications; Save The Duck.

In Kind Donations courtesy of Bow Bridge Blooms, LLC; The Cake Don; Insomnia Cookies; Jessa V and The Fringe; Montaria Wine; RR Donnelley RRD; Scooter's Coffee; and Wölffer Estate.

To learn more about Celebration of Rescue, the Online Auction, and to donate, visit www.animalleague.org/celebrationofrescue 

Celebration of Rescue supports North Shore Animal League America's ever-expanding no-kill mission with all proceeds from the event dedicated to the ongoing no-kill mission to Rescue, Nurture, Adopt, and Educate.  With this support, Animal League America will be able to save many more animals' lives and provide the best quality of life for those in their care as they await adoption into responsible, loving forever homes.

For more information on our life-saving work, visit www.animalleague.org

DROPBOX OF CELEBRATION OF RESCUE ASSETS & HIGHLIGHTS

Media Contact:            KATHLEEN LYNN            Senior Director of Communications            Phone: (516) 528-7878            Email: [email protected]

ABOUT NORTH SHORE ANIMAL LEAGUE AMERICANorth Shore Animal League America - the world's largest no-kill rescue and adoption organization—has saved the lives of more than 1.1 million dogs, cats, puppies, and kittens at risk of euthanasia. Through our many innovative programs, we reach across the country to rescue animals from overcrowded shelters, unwanted litters, commercial breeding facilities, natural disasters and other emergencies and find them responsible, loving homes. As a leader in the no-kill movement, we are dedicated to promoting shelter pet adoptions; encouraging spay/neuter programs; reducing animal cruelty; ending euthanasia; and advancing the highest standards in animal welfare. Please join us in saving the lives of innocent animals by donating to support our lifesaving mission. www.animalleague.org.

SOURCE North Shore Animal League America

Deadpool & Wolverine is finally hitting screens this week. While much of the hype around the movie deals in the massive easter egg hunt and crossover surprises for fans of the decades-long Marvel movie catalog, the director, Shawn Levy, has assured people that there is no homework required to enjoy the film. However, just like Spider-Man: No Way Home, the multiverse crossover appeals of these movies are massive pay-offs for loyal fans of the genre.

James Mangold brought Hugh Jackman’s Wolverine arc to a close in Logan, but the director is not a professed fan of these multiverse films. According to The Hollywood Reporter, as Mangold’s Bob Dylan biopic, A Complete Unknown, releases its trailer, Mangold tells Rolling Stone that he will not feature Joaquin Phoenix in his Johnny Cash role as a surprise cameo, in which Mangold then ventured into his feelings on multiverse films. “I don’t do multiverses,” Mangold stated.

Boyd Holbrook portrays Cash in his upcoming film and the director explains why bringing Phoenix back was out of the question, “I love Joaquin, but he’s not 30, or whatever Johnny was at this moment. They’re both young people in that moment in life. It’s weird that I’ve even worked in the world of IP entertainment because I don’t like multi-movie universe-building. I think it’s the enemy of storytelling. The death of storytelling. It’s more interesting to people the way the Legos connect than the way the story works in front of us.”

He continues, “For me, the goal becomes, always, ‘What is unique about this film, and these characters?’ Not making you think about some other movie or some Easter egg or something else, which is all an intellectual act, not an emotional act. You want the movie to work on an emotional level.”

About the Author

E.J. is a News Editor at JoBlo, as well as a Video Editor, Writer, and Narrator for some of the movie retrospectives on our JoBlo Originals YouTube channel, including Reel Action, Revisited and some of the Top 10 lists. He is a graduate of the film program at Missouri Western State University with concentrations in performance, writing, editing and directing.

NEWARK, Del., June 17, 2024 /PRNewswire/ -- According to Future Market Insights, Inc. the global colour changing packaging market is estimated to be around USD 1,443.7 million in 2024. With sales estimated to register a CAGR of 4.2% over the forecast period, the market valuation is envisioned to reach USD 2,178.5 million by 2034. The packaging sector is developing the demand for colour changing packages by creating indigenous solutions that cater to consumer health. The food and beverage sector is undergoing an exciting transformation as the demand for colour changing packaging, which combines technology and practicality, grows. This novel strategy transforms the way we engage with food and puts safety first in a dynamic economy, benefiting both producers and consumers.

Download the Sample PDF report to explore key market insights and trends: https://www.futuremarketinsights.com/reports/sample/rep-gb-19698

The ability of colour changing packaging to prevent food deterioration is one of its most alluring uses. Only seldom does traditional packaging convey a product's freshness adequately, which increases the danger of spoiled food contamination and related health hazards. To solve this important issue, businesses in the food and beverage sector are aggressively looking to the colour changing packaging market. For instance, a meat packaging that visibly signals a temperature violation by changing colour or a milk carton that quietly changes colour as it gets closer to its expiration date. These developments greatly lower the risk of foodborne diseases and enable customers to make knowledgeable decisions about the food they buy.

The colour changing packaging market goes far beyond simple freshness markers. Businesses are looking at all the ways that colour adjustments might improve the customer experience. Imagine a bag of chips that advertises its spice through colour changes or a children's yogurt carton that changes colour dependent on taste. Increased brand memory and customer attention might result from this degree of interaction.

Companies such as Kellogg's and Danone, for example, might use this technology to develop entertaining packaging experiences that appeal to their target market. Additionally, a company's logo or mascot may be included in a colour changing design that changes in response to light or temperature to convey a story about the business. This creates opportunities for creative marketing initiatives that transcend conventional packaging design.

"For the food and beverage industries, the demand for colour changing packaging represents a huge advancement. This technology can revolutionize the food safety industry and strengthen brand identity while also improving the consumer experience. A rise in the use of Colour Changing packaging solutions is anticipated as research and development continue to advance, and production prices become more affordable. This will bring in a future where colour plays a dynamic part in guaranteeing food safety and customer happiness, revolutionizing the way food is packed, promoted, and ultimately consumed." says Ismail Sutaria (Lead Consultant, Packaging and Materials at Future Market Insights, Inc.).

Key Takeaways from the Colour Changing Packaging Market Report

• Plastic segment in the colour changing packaging sector holds a revenue share of 27% in 2024.
• In 2024, the demand for colour changing packaging in the food sector is likely to result in a share of 27%.
• The colour changing packaging industry in the United States is anticipated to see a CAGR of 4.1% from 2024 to 2034.
• The colour changing packaging sector in China is projected to showcase a CAGR of 4.3% through 2034.
• The colour changing packaging market in India is anticipated to display a CAGR of 4.4% by 2034.

Competitive Analysis of the Colour Changing Packaging Sector

Prominent corporations are making significant investments in research and development to advance colour changing packaging materials and technologies, therefore expanding the realm of possible outcomes. The market environment is also being shaped by strategic mergers and acquisitions, which enable businesses to expand their capabilities and resources. Top manufacturers are also launching new product lines that are customized to meet particular market demands, supporting a range of applications and drawing in more customers from a larger range of sectors. This dynamic and cutthroat industry for Colour Changing packaging is expected to develop significantly.

Recent Industry Development in Colour Changing Packaging Sector

A Corona Extra beer can with Feliz Navi-Drip, limited-edition packaging, and matching robes coated in colour changing outer layers were made by celebrity fashion designer Talia Coles in November 2023.

Purchase now and gain full access to the Colour Changing Packaging Industry report, featuring comprehensive Market Forecast, Company Share Analysis, Competition Intelligence, DROT Analysis, Market Dynamics and Challenges, and Strategic Growth Initiatives.

About the Author:

Ismail Sutaria (Lead Consultant, Packaging and Materials at Future Market Insights, Inc.) has over 8 years of experience in market research and consulting in the packaging & materials industry. Ismail's strength lies in identifying key challenges faced by the client and offering logical and actionable insights to equip the clients with strategic decision-making power. 

Ismail has been an instrumental part of several transformational consulting assignments. His key skills include competitive benchmarking, opportunity assessment, macroeconomic analysis, and business transformation advisory. Ismail is an MBA holder in Marketing and has a Bachelor's Degree in Mathematics. 

Ismail is a regular at industry conferences and expos and has been widely covered in electronic and print media. He is a Speaker at our upcoming Talk show - Rise of the Intelligent Packaging. Ismail has been quoted in leading publications, including the European Pharmaceutical Review and the European Adhesive Tape Association. 

Explore FMI's Extensive Coverage in the Packaging Domain:

About Future Market Insights (FMI)

Future Market Insights (FMI) is a leading market intelligence and consulting service provider, serving clients in over 150 countries. FMI is headquartered in Dubai and has delivery centers in the UK, the U.S., and India. FMI's latest market research reports and industry analysis help businesses navigate challenges and make critical decisions with confidence and clarity amidst breakneck competition. Our customized and syndicated market research reports deliver actionable insights that drive sustainable growth. A team of expert-led analysts at FMI continuously tracks emerging trends and events in a broad range of industries to ensure that our clients prepare for the evolving needs of their consumers.

Contact UsFuture Market Insights Inc.Christiana Corporate, 200 Continental Drive,Suite 401, Newark, Delaware - 19713, USAT: +1-845-579-5705For Sales Enquiries: [email protected]Website: https://www.futuremarketinsights.comLinkedIn | Twitter | Blogs | YouTube

Logo: https://mma.prnewswire.com/media/1197648/3531122/FMI_Logo.jpg

SOURCE Future Market Insights

The Walking Dead spin-off The Walking Dead: Daryl Dixon (you can read our review HERE) is set to continue with a second season that will focus on Daryl’s good friend Carol, played by Melissa McBride – and because of that, the second season has the ridiculous (and ridiculously long) title of The Walking Dead: Daryl Dixon – The Book of Carol. The show is scheduled to premiere on Sunday, September 29 at 9pm ET/PT on both AMC and AMC+… and with San Diego Comic-Con going on right now, Entertainment Weekly has gotten their hands on a batch of promotional images, which can be seen in this article. They also shared from quotes from McBride and Norman Reedus, who plays Daryl Dixon – including a quote where Reedus said that he thinks the season finale of The Walking Dead: Daryl Dixon – The Book of Carol is the best hour of Walking Dead ever!

The first season of The Walking Dead: Daryl Dixon had the following synopsis: Daryl (Norman Reedus) washes ashore in France and struggles to piece together how he got there and why. The series tracks his journey across a broken but resilient France as he hopes to find a way back home. As he makes the journey, though, the connections he forms along the way complicate his ultimate plan.

The six episodes of the new season pick up where The Walking Dead: Daryl Dixon left off, following fan-favorite characters Daryl Dixon (Reedus) and Carol Peletier (McBride). They both confront old demons while she fights to find her friend and he struggles with his decision to stay in France, causing tension at the Nest. Additionally, Genet (Anne Charrier)’s movement builds momentum, setting Pouvoir on a violent collision course with the Union of Hope in the fight for France’s future.

In addition to Reedus, McBride, and Charrier, the show’s cast includes Clémence Poésy, Louis Puech Scigliuzzi, Laika Blanc Francard, Romain Levi, Eriq Ebouaney, and Manish Dayal.

Showrunner David Zabel serves as executive producer alongside Reedus, Scott M. Gimple, Angela Kang, Greg Nicotero, Brian Bockrath, and Daniel Percival. AMC Studios is producing.

To find out what McBride and Reedus had to say about The Walking Dead: Daryl Dixon – The Book of Carol overall, click over to Entertainment Weekly – but here’s what Reedus said about this season featuring the best hour of Walking Dead ever: “Melissa and I and everybody else wanted to do something new. This was a real opportunity to take all these elements that make this show and these characters so compelling, and make something brand new and fresh. And that’s what we did. I think the finale of season 2 is the best one hour of Walking Dead anything ever. And I’ve been here since day 3, so for real, it’s my favorite one hour of Walking Dead anything.“

Will you be watching The Walking Dead: Daryl Dixon – The Book of Carol? Take a look at the images, then let us know by leaving a comment below.

LOS ANGELES, June 17, 2024 /PRNewswire/ -- Casa Azul, the creator of award-winning Organic Tequila and natural Tequila Soda products, welcomes its latest partner and investor, Rob Gronkowski. Gronkowski joins an impressive group of influential celebrity and athlete investors who are dedicated to delivering outstanding tequila products. Alongside Gronkowski joining Casa Azul, the brand is announcing the launch of its Playa Pack, a new variety of Casa Azul's beloved tequila sodas with real Tequila from Jalisco, Mexico. Embracing the spirit of summer and the allure of tropical paradise, the launch comes as a direct response to consumer demand for even more delicious and refreshing flavors.

"Lance Collins and Casa Azul recognized the need to create top-notch products with a commitment to excellence and I'm proud to invest in a brand that embodies innovation and integrity in the Tequila industry," said Gronkowski. "I'm all about enjoying life and having a great time, and Casa Azul is the perfect drink to do just that. I'm thrilled to be part of this incredible team and to bring these amazing new flavors from the Playa Pack to our fans."

The Playa Pack features two exciting new flavors, Pineapple Coconut and Spicy Margarita, joining the classic Lime and Grapefruit varieties. Casa Azul Tequila Sodas feature real Tequila, sparkling water, natural fruit flavors and a hint of agave nectar. With only 0-1 g carbs, 100 calories per can, and 5% alcohol, Casa Azul Tequila Sodas offer a guilt-free escape to paradise with every sip.

"We're honored to welcome Rob Gronkowski as an investor with Casa Azul. His passion for quality products aligns perfectly with Casa Azul's values, and we're excited to have him on board," said Dennis Carr, Chief Executive Officer of Casa Azul. "His partnership complements our introduction of the Pineapple Coconut and Spicy Margarita flavors as part of The Playa Pack. The Pineapple Coconut flavor offers a delightful fusion of tropical sweetness, while the Spicy Margarita delivers a great kick of heat. These new flavors epitomize our commitment to crafting delicious products that our consumers love."

Gronkowski is a former American football tight end and four-time national champion. In addition to Gronkowski, Casa Azul has attracted investors including Travis Kelce, the two-time national champion and football icon, as well as actress Eiza González, U.S. Women's Open Champion and golf icon Michelle Wie West, and five-time Major Champion and former World #1, Brooks Koepka.

Founded by serial beverage entrepreneur Lance Collins, Casa Azul Tequila Soda launched in August 2022 and continues Lance's legacy of the products consumers demand. The brand differentiates itself from many traditional canned drinks by utilizing real spirits, not malt liquor, and features a simple ingredient list.

The new Playa Pack can be found at select Total Wine & More, BevMo!, ABC Fine Wine & Spirits, Walmart, Whole Foods, Jewel- Osco and Spec's stores nationwide. In addition to the new Playa Pack flavors, Casa Azul Tequila Soda is available in Grapefruit, Lime Margarita, Strawberry Margarita, Peach Mango, and Watermelon.

To learn more, visit casaazulsoda.com. Find Casa Azul on Instagram, Twitter, TikTok, Facebook and LinkedIn.

About CASA AZUL®

Created by serial entrepreneurs in the beverage industry who have consistently delivered delicious products, Casa Azul is bringing that ethos to spirits and disrupting the Tequila and RTD markets. Casa Azul focuses on providing the highest quality, most authentic, and flavor-forward ingredients in the growing Tequila space. Casa Azul Organic Tequila is a plant-first Tequila that showcases the real, vibrant character of agave. The Tequila line's three offerings include: Casa Azul Tequila Blanco, Casa Azul

Tequila Reposado, and Casa Azul Tequila Añejo, which feature rich agave flavor and an exceptionally smooth finish. Casa Azul Tequila Soda is a light, refreshing, and delicious beverage that's convenient for any time and anywhere, at only 100 calories per can, 0-1g carbs, and 5% alcohol. To learn more, visit casaazulspirits.com and casaazulsoda.com.

SOURCE Casa Azul

WILMINGTON, Del. , July 22, 2024 /PRNewswire/ -- Allied Market Research published a report, titled, "Glasses Frame Market by Shape (Rectangle, Round, Cat Eye, Square, Aviator, Hexagon, Wayfarer, and Others) and By Country (France, Italy, UK, Japan, United States, and South Korea): Global Opportunity Analysis and Industry Forecast, 2024-2035". According to the report, the global glasses frame market was valued at $14,026.9 million in 2023, and is projected to reach $26,419.3 million by 2033, registering a CAGR of 6.8% from 2024 to 2033.

 Download Sample Pages of Research Overview: https://www.alliedmarketresearch.com/request-sample/A14400

Prime determinants of growth  

The growing prevalence of vision issues and growing awareness of eye health are factors driving up demand for corrective eyewear. Comfort and style are improved by technological developments in frame materials and innovative design, attracting a larger customer base. The growing trend for fashionable and designer frames is also fueled by the influence of celebrity sponsorships and an increasingly fashion-conscious populace. Increased consumer access to a wider range of options is another benefit of the growth of e-commerce platforms, which increases sales. Furthermore, since older persons frequently use prescription eyewear, the aging of the global population particularly in industrialized regions further promotes market expansion.

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The rectangle segment to maintain its leadership status throughout the forecast period.

By shape, the rectangle segment held the highest market share in 2023, accounting for nearly two-fifths of the glasses frame market share and is estimated to maintain its leadership status throughout the forecast period. Many iconic eyewear brands, such as Ray-Ban and Persol, have rectangle frame styles that have become part of their brand heritage and identity, appealing to consumers who desire these classic designs. The wayfarer segment showcases the fastest CAGR of 7.9% during the forecast period. The demand for wayfarer frames has rapidly increased in the global glasses frame market due to their enduring style and versatile design.

United States to maintain its dominance by 2033

Based on the country, the United States held the highest market share in terms of revenue in 2023 and is likely to dominate the market during the forecast period. Consumers in the U.S. prioritize style along with functionality, opting for frames that offer comfort and durability. However, Japan is expected to witness the fastest CAGR of 8.7% from 2024-2033. The glasses frame industry in Japan is expected to thrive, driven by craftsmanship, technological advancement, and a deep-rooted culture of excellence in design and manufacturing.

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Leading Market Players: -

• Charmant Group
• De Rigo Vision S.P.A.
• EssilorLuxottica
• Fielmann Group AG
• Marchon Eyewear, Inc.
• Mondottica Limited
• Safilo Group S.P.A
• Silhouette International Schmied AG
• Tory Burch LLC.
• Warby Parker

The report provides a detailed analysis of these key players in the glasses frame market. The report is valuable in highlighting business performance, operating segments, product portfolio, and strategic moves of market players to showcase the competitive scenario. 

Similar Reports We Have on Consumer Goods Industry:

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Pawan Kumar, the CEO of Allied Market Research, is leading the organization toward providing high-quality data and insights. We are in professional corporate relations with various companies and this helps us in digging out market data that helps us generate accurate research data tables and confirms utmost accuracy in our market forecasting. Each and every data presented in the reports published by us is extracted through primary interviews with top officials from leading companies of domain concerned. Our secondary data procurement methodology includes deep online and offline research and discussion with knowledgeable professionals and analysts in the industry.

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SOURCE Allied Market Research

Director Fede Álvarez’s contribution to the Alien franchise, Alien: Romulus, is set to reach theatres on August 16th – and two months later, on October 16th, Marvel Comics will be publishing a one-shot prelude tie-in comic, Alien: Romulus #1, that has been written by Zac Thompson (Absolute Carnage: Avengers) and drawn by Daniel Picciotto (Danny Ketch: Ghost Rider).

The story Álvarez and co-writer Rodo Sayagues crafted for Alien: Romulus is not connected to the other films in the Alien franchise – but it’s not ignoring any of the other entries, either. Álvarez has been clear about the fact that his story takes place within the established franchise continuity. In fact, it slots right in between the events of Alien and Aliens. It has the following official logline: The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

Marvel‘s one-shot prelude tie-in seeks to provide an illuminating backstory behind the film’s main threat. Made in close partnership with Director Fede Alvarez and frequent collaborator Rodo Sayagues, the comic is a must-have companion to one of the most highly anticipated films of the summer. Marvel Comics presents an all-new story revealing secrets of the film’s legendary antagonists and this issue shines light on them all!

Thompson gave the following statement: “The Alien franchise is responsible for my lifelong love of body horror, so needless to say, I’m ecstatic to be contributing a small piece to the canon. Working with Fede Alvarez to craft a prequel to Alien: Romulus was a genuine dream come true and a responsibility I don’t take lightly. The result is a thrilling, terrifying story that slowly gestates into something wholly unpredictable.“

The main cover for Alien: Romulus #1, created by Leinil Francis Yu, can be seen below, along with a variant cover created by Björn Barends.

Will you be picking up a copy of Marvel’s Alien: Romulus prelude tie-in comic? Let us know by leaving a comment below.

About the Author

Cody is a news editor and film critic, focused on the horror arm of JoBlo.com, and writes scripts for videos that are released through the JoBlo Originals and JoBlo Horror Originals YouTube channels. In his spare time, he's a globe-trotting digital nomad, runs a personal blog called Life Between Frames, and writes novels and screenplays.

Get a detailed analysis on regions, market segments, customer landscape, and companies - Click for the snapshot of this report

Key Market Trends Fueling Growth

The aesthetic lasers and energy devices market cater to various non-surgical procedures for improving physical health and enhancing the appearance of areas like the face, neck, arms, buttocks, knees, and thighs. A growing trend in this market is non-surgical vaginal rejuvenation, addressing changes in genitalia due to aging, hormonal shifts, childbirth, and other factors. These procedures use RF or laser energy to induce collagen tightening, restoring optimal vaginal tissue structure. The increasing number of healthcare professionals offering these advanced treatments and rising awareness among consumers are driving market growth in both developed and developing countries. 

The Aesthetic Lasers and Energy Devices market is experiencing significant growth due to increasing demand for medical procedures that address various skin issues. Key trends include the Skin Rejuvenation segment, targeting facial veins, wrinkled skin, sun damage, and pigmented lesions. Hospitals, Medical Devices companies, Cosmetic Centers, Dermatology Clinics, and Ambulatory Surgery Centers are major consumers. Laser-based, Light-based, and Energy-based technologies are driving innovation, offering solutions for skin defects caused by aging, accidents, or distorted physical appearance. Tattoo removal, unwanted lesions, and excess sagging skin are common applications. Physiology and ageing skin are key areas of focus. Obesity and stubborn fat are new markets, with non-invasive and minimally invasive devices gaining popularity. Sciton, a leading player, uses Optical Coherence Tomography for precision and safety. Medical aesthetics continues to merge with the beauty industries, fueled by the desire for celebrity looks and improved physical appearance. Overall, this market is expected to thrive as consumers seek effective solutions for various skin concerns. 

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Market Challenges

• The global aesthetic lasers and energy devices market is witnessing significant growth due to the increasing demand for non-surgical skin rejuvenation procedures. However, the adoption of these treatments is limited in developing countries due to their high costs. On average, laser skin tightening costs between USD450 and USD2,000, and Ultherapy for the face and neck ranges from USD4,000 to USD5,500. Various factors influence the cost, including the type of equipment used, the size of the area to be treated, and the number of sessions required. Vendors primarily target high-income and upper-middle-class patients, limiting access for middle and lower-middle-class consumers. This trend poses a challenge to the market's growth during the forecast period. Advances in technology will introduce new skin tightening systems with varying light intensities and cooling mechanisms, offering more affordable options for a wider customer base.
• The Aesthetic Lasers and Energy Devices market encompasses light-based, laser, and energy technology used in dermatological practices and aesthetic centers for various cosmetic procedures. Challenges include the increasing popularity of teledermatology, competition from multi-specialty, standalone, and cosmetic surgery centers, and rising healthcare expenditure. Key applications include hair removal, skin rejuvenation, skin tightening, aesthetic ophthalmology, and body contouring. Technologies like radiofrequency, laser-based, and light-based are utilized for hair transplantation, body shaping, facial rejuvenation, cellulite reduction, and scar removal. Market drivers include growing demand for non-invasive cosmetic procedures, personal care, and social media influence. However, challenges include the need for personal protective equipment and trained medical staff, as well as addressing dermatological conditions like acne scars, age spots, sun damage, vascular lesions, unwanted hair, and photoaging. Devices include laser resurfacing, body contouring, and handheld devices like microdermabrasion and Lasabrasion. Market trends include the integration of technology for tattoo removal and the emergence of energy-based technologies like Intense Pulsed Light (IPL) and Nd:YAG lasers. In summary, the Aesthetic Lasers and Energy Devices market faces challenges in a competitive landscape, but continues to grow due to increasing demand for non-invasive cosmetic procedures and personal care. Technological advancements and the integration of new applications will drive market growth.

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Segment Overview 

This aesthetic lasers and energy devices market report extensively covers market segmentation by

1. Technology 

• 1.1 Laser
• 1.2 Light
• 1.3 RF
• 1.4 Others

• 2.1 Skin resurfacing
• 2.2 Body contouring
• 2.3 Skin rejuvenation

• 3.1 North America
• 3.2 Europe
• 3.3 Asia
• 3.4 Rest of World (ROW)

1.1 Laser-  The Aesthetic Lasers and Energy Devices market refers to the industry that manufactures and sells equipment using laser and energy technologies for cosmetic procedures. These devices include laser hair removal systems, skin resurfacing lasers, and body contouring devices. Market growth is driven by increasing consumer demand for non-invasive cosmetic treatments and advancements in technology. Companies in this market focus on developing innovative and effective solutions to meet consumer needs. Key players include Cynosure, Palomar Medical Technologies, and Lumenis.

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Learn and explore more about Technavio's in-depth research reports

The global energy-based aesthetic devices market continues to expand, with France emerging as a significant player in the aesthetic devices market. Aesthetic lasers, a crucial segment within this industry, are driving growth worldwide. As innovations in technology enhance treatment precision and safety, market size projections underscore sustained demand. France, known for its sophisticated healthcare infrastructure, is seeing increased adoption of aesthetic solutions, contributing to the market's robust expansion.

Research Analysis

The Aesthetic Lasers and Energy Devices market encompasses a range of technologies used to address various dermatological conditions and cosmetic concerns. These devices leverage the power of laser and energy-based treatments to address sun damage skin, wrinkles, unwanted lesions, and excess sagging skin. The physiology of aging skin, sun damage, and skin cancer are key drivers for this market. Non-invasive and minimally invasive devices are popular choices for addressing non-surgical cosmetic procedures, including the removal of unwanted hair, tattoo removal, and vascular lesions. Additionally, the market caters to the removal of acne scars, age spots, and pigmented lesions. Social media and personal care trends continue to fuel the demand for these devices in the beauty industries. Medical devices play a crucial role in treating skin defects and improving physical appearance through medical procedures.

Market Research Overview

The Aesthetic Lasers and Energy Devices market encompasses a range of technologies used to address various dermatological conditions and cosmetic concerns. These include sun damage skin, wrinkles, unwanted lesions, and excess sagging skin. The market caters to both medical and aesthetic practices, with non-invasive and minimally invasive devices gaining popularity due to their minimal downtime. Physiology of ageing skin and obesity are key drivers for this market. Laser and light-based technologies dominate the market, offering solutions for skin rejuvenation, skin tightening, body contouring, aesthetic ophthalmology, hair removal, and tattoo removal. Other energy-based technologies like radiofrequency are also used for body shaping and facial rejuvenation. The market serves multi-specialty centers, standalone centers, cosmetic surgery centers, and hospitals. Skin treatments for conditions such as acne scars, age spots, sun damage, vascular lesions, unwanted hair, and facial veins are common applications. The market is influenced by healthcare expenditure, social media trends, personal care, and the beauty industries. Personal protective equipment and trained medical staff are essential for safe usage. The market includes key segments like laser resurfacing devices, body contouring devices, and aesthetic ophthalmology devices. Key applications include scar removal, skin resurfacing, and handheld devices like microdermabrasion and Lasabrasion. Other applications include photoaging, dyschromia, and tattoo removal. The market also caters to medical procedures for skin cancer and road accidents resulting in distorted physical appearance. Celebrity looks and societal pressure to maintain a youthful appearance fuel the demand for cosmetic procedures. The market offers various non-invasive cosmetic procedures for dermatological conditions and personal care. Laser-based technology, light-based technology, and energy-based technology are the primary technologies used in this market. The market is expected to grow significantly due to increasing awareness and acceptance of these technologies for cosmetic and medical applications.

Table of Contents:

1 Executive Summary2 Market Landscape3 Market Sizing4 Historic Market Size5 Five Forces Analysis6 Market Segmentation

• Technology
• Application
• Skin Resurfacing
• Body Contouring
• Skin Rejuvenation
• Geography
• North America
• Europe
• Asia
• Rest Of World (ROW)

7 Customer Landscape8 Geographic Landscape9 Drivers, Challenges, and Trends10 Company Landscape11 Company Analysis12 Appendix

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Technavio is a leading global technology research and advisory company. Their research and analysis focuses on emerging market trends and provides actionable insights to help businesses identify market opportunities and develop effective strategies to optimize their market positions.

With over 500 specialized analysts, Technavio's report library consists of more than 17,000 reports and counting, covering 800 technologies, spanning across 50 countries. Their client base consists of enterprises of all sizes, including more than 100 Fortune 500 companies. This growing client base relies on Technavio's comprehensive coverage, extensive research, and actionable market insights to identify opportunities in existing and potential markets and assess their competitive positions within changing market scenarios.

Contacts

Technavio ResearchJesse MaidaMedia & Marketing ExecutiveUS: +1 844 364 1100UK: +44 203 893 3200Email: [email protected]Website: www.technavio.com/

SOURCE Technavio

Folks, with Deadpool & Wolverine hitting the big screen, it’s the perfect time to catch up with the Merc With a Mouth and revisit 2018’s David Leitch-directed Deadpool 2. The film is a direct follow-up to 2016’s Deadpool.It continues the misadventures of Wade Wilson and his rag-tag team of mutants, bartenders, and blind roommates- only this time, they were introduced to even more characters and action. But the big question is- how does it hold up? Let’s find out in today’s episode of Marvel Revisited.

Deadpool 2 finds Rhett Reese, Paul Wernick, and Ryan Reynolds in the writers’ chair, with Josh Brolin entering the fray as Cable, the fierce, time-traveling son of Jean and Scott Summers. Cable slides into Deadpool’s life to prevent the rise of Wade’s young friend, Firefist, played by Hunt for the Wilderpeople actor Julian Dennison. Firefist is a hot-headed teen with the potential to burn the world to the ground, and Deadpool, despite his quips and tomfoolery, wants to prevent the end of the world. Helping Wade on his mission is Domino (Zazie Beetz), a mutant with “Luck Powers.” Together, Wade and Domino search for Firefist while trying to reason with Cable before he blows the young mutant off the face of the planet.

Deadpool 2 is a mad-cap follow-up to the original, introducing more mutants, mayhem, and mature-rated humor from the Assassin in the Red Pajamas. Deadpool is one of Marvel‘s flagship characters despite his movies being R-rated and intended for adult audiences. Still, parents tend to cave into the pressure to let their kids delight in Wade’s expletive-filled antics. There’s something lovable and charming about Deadpool. Maybe it’s because while he’s prone to slicing and dicing his way through the Marvel Universe, he tends to do the right thing by the end of the mission.

With Deadpool & Wolverine finally hitting theaters this weekend, now is the perfect time to revisit this bloody sequel to find out if it stands the test of time after so many years. How do you remember enjoying Deadpool 2? Are you excited to check out Deadpool & Wolverine this weekend? Let us know in the comments section below!

About the Author

Born and raised in New York, then immigrated to Canada, Steve Seigh has been a JoBlo.com editor, columnist, and critic since 2012. He started with Ink & Pixel, a column celebrating the magic and evolution of animation, before launching the companion YouTube series Animation Movies Revisited. He's also the host of the Talking Comics Podcast, a personality-driven audio show focusing on comic books, film, music, and more. You'll rarely catch him without headphones on his head and pancakes on his breath.

Plot: Embark on a comedic, high-stakes journey through time and space with a ragtag group of thieves and their newest recruit: an eleven-year-old history nerd. Together, they set out on a thrilling quest to save the boy’s parents — and the world.

Review: The original 1981 Terry Gilliam film Time Bandits is a staple of movies for kids that go beyond being children’s films. Alongside The Goonies, E.T. The Extra-Terrestrial, The Neverending Story, Labyrinth, and more, Time Bandits took mature filmmaking and actors. They put them into a story that worked for younger and older audiences. Forty years later, we get a new take on Time Bandits from the comedic genius of Taika Waititi and Jemaine Clement. Embracing that same approach to telling a story for kids that also appeals to adults, this new Time Bandits boasts better special effects, a more diverse array of historical places for the protagonists to visit, and a fair amount of homage to the film that inspired it while still forging its own unique narrative. Short, standalone episodes that build on one another towards a great conclusion make this the first season of a hopefully long-running series.

The new version of Time Bandits follows the same basic premise as the 1981 film: Kevin is a young history nerd whose parents ignore his fascination with the past. One night, a troupe of time travelers enters his room, and Kevin joins their quest for a map stolen from the omnipotent creator known as the Supreme Being. As the bandits run from historical era to era, they are also pursued by Pure Evil, the antithesis of the Supreme Being. Aside from that core narrative, the new Time Bandits transforms the crew of thieves from six dwarves into five unique adults from different time periods, including the leader, Penelope (Lisa Kudrow). The Bandits are now comprised of Judy (Charlyne Yi), Widgit (Roger Jean Nsengiyumva), Alto (Tadhg Murphy), and Bittelig (Rune Temte), all of whom have their own unique skills that are not quite as strong as they should be for such a task as stealing priceless artifacts from the space-time continuum. Kevin, played by Kal-El Tuck, joins the Bandits on their adventures and teaches them all about historical events beyond the European locales from the original movie.

Without divulging changes in the plot, the first season of Time Bandits visits many unique and diverse locations across ten episodes. While the series does venture to Ancient Greece and similar Medieval locales, Taika Waititi and Jemaine Clement wanted to go beyond a Eurocentric perspective, which gives us adventures amongst Chinese pirates, the Mayan Empire, Mali emperor Mansa Musa’s reign, and even Prohibition-era criminal networks run by women. The diversity of the series never feels like a cry for inclusion but, instead, a way to capture the breadth of human history through the ages beyond Europe. Advances in special effects have also allowed the realization of more complex historical societies to look tangible rather than something produced on a sound stage. The majority of Time Bandits feels physically realized rather than enhanced by CGI. Much like Taika Waititi‘s short-lived Our Flag Means Death, Time Bandits digs into history but always with a cheeky sense of humor behind it. The fact that the humor is appropriate for all ages helps make this series feel like a perfect combination of Waititi and Clement’s comedic sensibilities without profanity or mature subject matter. However, Time Bandits also does not pander to the audience, making it an enjoyable experience for kids and adults.

The series works with both Clement and Waititi involved on screen as much as behind the camera. As the Supreme Being, a variation of God, Waititi plays with the idea of a bored creator who goes beyond a single religious interpretation. The fact that the other angelic beings are all of Australian and New Zealand native heritage adds to the color-blind approach to the story. On the flip side, Jemaine Clement seems to have a ball playing this version of Satan, as Pure Evil looks like a cross between a Tim Burton creation and something straight out of a Neil Gaiman story. Supporting Pure Evil are demonic beings, including frequent Taika Waititi collaborator Rachel House as the hunter known as Fianna. Equally good are the Bandits, who now have more to do than in the movie, where the dwarf actors seemed like placeholders for characters rather than fully realized creations. Each bandit is fun to watch, especially Lisa Kudrow, who makes for a fun leader who only takes the title when it suits her.

Waititi and Clement developed the series alongside Iain Morris, and the trio co-wrote the first two episodes. Jemaine Clement wrote two additional episodes solo while collaborating on another with Iain Morris, who also scripted the finale. Akilah Green, Melanie Bracewell, Tyrell Williams, and Sam Bain wrote the remaining episodes. Taika Waititi also directed the two opening chapters, with Jeff Tomsic, Armagan Ballantyne, Yana Gorskaya, Jackie van Beek, and Tim van Dammen directing the remaining eight. Time Bandits boasts a synth-heavy score from composer Mark Mothersbaugh, who wrote the memorable music for Thor: Ragnarok. The series opens with the same bizarre genre stylings that Taika Waititi brought to his Marvel Studios projects while maintaining the emotional core of Jojo Rabbit and Next Goal Wins. Clement, Waititi, and Morris all know how to be funny, but to do it without relying on profanity shows their capabilities as storytellers.

While I initially thought Time Bandits would be a limited series, the finale shows this tale has much more momentum than the feature film. Each episode builds into the next and leaves you wanting more leading into the next episode without relying on artificial cliffhangers or red herrings. This cast is incredibly likable, and the story is silly enough to appease the youngest viewers without alienating more discerning audiences. I had a smile on my face watching this series. Even though it was made without the blessing of Terry Gilliam, I would like to think the iconic filmmaker would be pleased with where Waititi and Clement have taken this tale for a new generation. It is hard to find the same caliber of family fare that existed in the 1980s that is not animated, but Time Bandits is the type of show that anyone will watch and have a lot of fun with, whether they have kids with them or not.

Time Bandits premieres on July 24th on AppleTV+.

As host of "Dollar Bill," Rancic leverages his extensive business experience, from restaurants to real estate, to provide listeners with his unique perspective of today's complicated financial world. Each episode explores current economic issues with insights from top business and financial advisors, and celebrity entrepreneurs and investors. Rancic's goal is to demystify finance, making it accessible and actionable for individuals and small business owners alike. The debut episodes will feature high-profile guests like Dennis Quaid, Eric Trump, Howie Mandel, and Carol Alt.

"Money has always been intimidating and is often a taboo topic," says Rancic. "My podcast aims to break down those stigmas and present financial discussions in an honest, inclusive, and entertaining manner. I believe financial security is a right for everyone. With this show, I want to help make financial dreams a reality by discussing practical strategies for building wealth."

As part of the rapidly expanding Club Random Studios network, "Dollar Bill with Bill Rancic" is designed to uncover both short and long-term strategies for making informed decisions and achieving financial success. The podcast aims to promote financial literacy and security for everyone.

Weekly episodes feature Rancic and guests diving into a "Dollar Bill" topic, offering three key takeaways from their lively discussions and including call-in commentary from listeners. The show promises in-depth conversations with financial experts, business leaders, and celebrity entrepreneurs and investors, sharing their experiences and advice on thriving in both Wall Street and Main Street USA.

 "Dollar Bill with Bill Rancic" addresses everyday financial concerns with clear explanations and actionable solutions. The podcast will be available on major platforms, including YouTube, Apple Podcasts, Spotify, Google Podcasts, and iHeart Radio, as well as a licensing deal with ReachTV, America's largest in-airport TV network, with new episodes releasing every Monday.

Contact: Molly Bell
Interdependence on behalf of Club Random Studios 414.628.5776[email protected] 

SOURCE Bill Rancic Productions

Today, Apple TV+ unveiled the trailer for Bad Monkey, the highly anticipated comedy from award-winning executive producer Bill Lawrence (Ted Lasso, Shrinking) and starring acclaimed actor, producer and screenwriter Vince Vaughn, who also serves as an executive producer. The 10-episode series will premiere globally on Apple TV+ with the first two episodes on August 14, 2024 followed by new episodes every Wednesday through October 9.

Based on Carl Hiaasen’s New York Times bestselling novel and enduring cult favorite, Bad Monkey tells the story of Andrew Yancy (Vaughn), who has been bounced from the Miami Police Department and is now a health inspector in the Keys. But after stumbling upon a case that begins with a human arm fished up by tourists, he realizes that if he can prove murder, he’ll be back in. He just needs to get past a trove of Floridian oddballs and one bad monkey.

The ensemble cast also includes L. Scott Caldwell (The Fugitive), Rob Delaney (Catastrophe), Meredith Hagner (Search Party), Natalie Martinez (La Promesa del Retorno), Alex Moffat (Saturday Night Live, Holidate), Michelle Monaghan (Gone Baby Gone), Ronald Peet (First Reformed), Jodie Turner-Smith (Queen & Slim), with special guest star John Ortiz (American Fiction) and guest stars Zach Braff (Scrubs), Ashley Nicole Black (Ted Lasso), Scott Glenn (The Leftovers) and Charlotte Lawrence in her television debut.

Hailing from Warner Bros. Television, Bad Monkey is developed by executive producer and showrunner Bill Lawrence through his Doozer Productions. Jeff Ingold, Matt Tarses (Scrubs), Marcos Siega, Vaughn and Liza Katzer are also executive producers.

Bad Monkey marks the most recent collaboration between Bill Lawrence and Warner Bros. Television for Apple TV+, following Emmy-nominated global hit series Shrinking and global phenomenon Ted Lasso.

About the Author

E.J. is a News Editor at JoBlo, as well as a Video Editor, Writer, and Narrator for some of the movie retrospectives on our JoBlo Originals YouTube channel, including Reel Action, Revisited and some of the Top 10 lists. He is a graduate of the film program at Missouri Western State University with concentrations in performance, writing, editing and directing.

Created by rapper, Fat Joe in collaboration with the team behind the cult-favorite It's a 10 Haircare, Carolyn Aronson and Jeff Aronson, Rewind It 10 aims to revolutionize men's grooming with its innovative product lineup. The brand features a series of beard and hair dyes, each represented by celebrities across various categories, including NFL Tight End Travis Kelce, R&B singer/songwriter Tank, model Tyson Beckford, music mogul DJ Khaled, professional MMA fighter Stephen "Wonderboy" Thompson, singer Jencarlos Canela, tattoo artist/model/musician Kevin Creekman, and Fat Joe himself. Brody Jenner will now join this esteemed lineup, representing the Medium Brown beard dye product.

As a new dad and a man in his early 40s, Brody's association with Rewind It 10 perfectly embodies the brand's ethos of making men look and feel their best at any stage of life. His involvement exemplifies how anti-aging and grooming apply to everyone, reinforcing the brand's message of timeless style and confidence.

"As a brand dedicated to listening to our consumers, we continuously expand our range of beard and hair dyes. Adding Medium Brown for the beard was a natural next step. Brody Jenner was the perfect choice to represent this shade," said Co-Founder, Jeff Aronson. "Millennials have grown up with him, and now they're sharing similar life milestones – becoming fathers, seeing the first signs of gray, and refining their grooming routines. Brody's strong, masculine presence and modern look resonate with today's millennial man. His addition enhances our diverse lineup of celebrity ambassadors, and we believe his influence will greatly contribute to the success of Rewind It 10."

Rewind It 10, officially launched in October of 2023, was over three years in the making, developed with high-quality, professional-grade, ammonia-free Italian formulas. This ensures that men everywhere can achieve salon-quality results from the comfort of their home or local barber. The product line was created to address the needs of modern men who seek convenience without compromising on quality. The inclusion of diverse shades and representations by high-profile celebrities ensures there is a perfect match for every man.

The brand is now sold at all Sally Beauty locations, SallyBeauty.com, RewindIt10.com and Amazon, with more retail expansion on the horizon for late 2024 and early 2025.

About Rewind It 10:

Rewind It 10 is a brand co-founded by beauty entrepreneur Carolyn Aronson, industry veteran Jeff Aronson, and Grammy-nominated rapper Fat Joe. The brand is dedicated to providing men with high-quality, easy-to-use at-home hair and beard coloring solutions, empowering them to express their individuality with confidence.

For media inquiries, please contact: [email protected](212)999-5585

SOURCE Rewind It 10

Coming our way from director Jeremy Saulnier, whose previous credits include Murder Party, Blue Ruin, Green Room, Hold the Dark, and episodes of True Detective season 3, the thriller Rebel Ridge was announced back in 2019… but we haven’t seen it yet, because the project was slowed down by the pandemic lockdowns, then by the departure of lead actor John Boyega a few weeks into filming, reportedly due to “family reasons.” With Aaron Pierre (M. Night Shyamalan’s Old) taking over the lead role, Rebel Ridge did make it through production on the third attempt. It wrapped in the summer of 2022, had a positive test screening, and is finally ready to make its way out into the world. Netflix has announced a September 6th premiere date for the film, and along with that announcement comes the unveiling of several first look images, which can be seen in this article.

Plot details have been kept under wraps to this point, with the film being described as a “high-velocity thriller that explores systemic American injustices through bone-breaking action sequences, suspense, and dark humor.” Now we finally know what it’s about, as Netflix has provided a synopsis: Terry Richmond (Aaron Pierre) enters the town of Shelby Springs on a simple but urgent mission– post bail for his cousin and save him from imminent danger. But when Terry’s life’s savings is unjustly seized by law-enforcement, he’s forced to go head to head with local police chief Sandy Burnne (Don Johnson) and his combat-ready officers. Terry finds an unlikely ally in court clerk Summer McBride (AnnaSophia Robb) and the two become ensnared in a deep-rooted conspiracy within the remote township. As the stakes turn deadly, Terry must call upon his mysterious background to break the department’s hold on the community, bring justice to his own family– and protect Summer in the process.

As mentioned in the synopsis, the movie co-stars the legendary Don Johnson, who previously had high praise for the film in an interview we did with him last year. AnnaSophia Robb, David Denman, Emory Cohen, Steve Zissis, Zsané Jhé, Dana Lee, and James Cromwell are also in the cast.

Rebel Ridge was produced by Saulnier, along with Anish Savjani, Neil Kopp, and Vincent Savino. Daniel Jason Heffner, Macon Blair, and Louise Lovegrove serve as executive producers.

I was sold on Rebel Ridge as soon as I read that it was being directed by Jeremy Saulnier, so I look forward to finally being able to watch the movie in September.

Will you be watching Rebel Ridge on Netflix in September? Take a look at the images, then let us know by leaving a comment below.

PUNE, India, July 22, 2024 /PRNewswire/ -- Stellar Market Research, a global Pharmaceutical Market research firm has published a competitive intelligence and market research report on the "Cosmetology Market". The Cosmetology Market size was valued at USD 118.93 Bn in 2023 and the total Cosmetology market size is expected to grow at a CAGR of 10.5 percent from 2024 to 2030, reaching nearly USD 239.24 Bn by 2030. 

Get your Sample PDF:https://www.stellarmr.com/report/req_sample/Cosmetology-Market/2077 

Key Highlights of the Report

• Innovations in beauty products and treatments, alongside advancements like AI and AR in beauty tech, are reshaping consumer engagement and market dynamics.
• Platforms like Facebook and RealSelf play a pivotal role in empowering patients with information, influencing treatment decisions, and enhancing patient satisfaction.
• Psychological impacts, surgical risks, and economic factors like inflation pose challenges to sustained market growth in cosmetology.

L'Oréal (France): Major Player in Cosmetology Industry

L'Oréal is known for investing heavily in advertising and research to maintain its leadership. In 2023, the company spent about 13.36 billion Euros on advertising to ensure its brands like Lancôme, Essie, and Maybelline stay well-known. L'Oréal holds a significant market share in Europe (20%) and North Asia (13%), showing its strong global presence. In the US, L'Oréal's skincare and hair care products are widely recognized. They offer a wide range of products including skincare, hair care, makeup, hair coloring, and perfumes, with total sales reaching around 41.18 billion Euros worldwide in 2023. Innovation is key for L'Oréal, spending about 1.29 billion Euros on research and development in 2023, resulting in 610 patents to advance beauty products.

Unilever (Netherlands): Prominent Player in Cosmetology

Unilever has emerged as a formidable player with a diverse portfolio of well-known brands and strategic initiatives that enhance its market presence. In 2023, Unilever's beauty and personal care segment generated sales of approximately €21.7 billion, underscoring its significant impact on the industry. The company owns a variety of leading brands, including Dove, Vaseline, Tresemmé, and Pond's, catering to a wide range of consumer needs in skincare, hair care, and personal grooming.  Unilever invests heavily in research and development, spending €1 billion annually to drive innovation in product formulations and consumer experiences. Approximately 25% of Unilever's beauty and personal care sales are now conducted online, reflecting the growing importance of digital channels in reaching and engaging consumers. The company collaborates with various organizations and startups to foster innovation and expand its product offerings.

Request a Sample Report:https://www.stellarmr.com/report/req_sample/Cosmetology-Market/2077 

Growth of Non-Surgical Cosmetic Procedure Segment

Non-surgical procedures including chemical peels, Botox, dermal fillers, and laser hair removal have grown in popularity given their successful results, shorter recovery times, and lower risks. As of 2022, consumer preferences are evident as non-surgical procedures accounted for almost 70% of all cosmetic operations performed globally. The need for procedures that give a more youthful appearance without requiring invasive surgery has increased due to the aging of the world's population. For instance, in 2023, 30% of individuals aged 18-24 in the United States reported using some form of non-surgical cosmetic treatment, illustrating the widespread appeal of these procedures. The potential market size for non-surgical cosmetic procedures is shown by estimates that the number of people worldwide who are 65 years of age or older will reach 1.2 billion by 2025. A wider range of people are drawn to non-surgical techniques since they are more affordable than surgical ones. For instance, Compared to surgical facelifts, which may cost over $10,000, Botox treatments typically cost between $300 and $600 each session. Social media and celebrity endorsements are driving an increase in consumer acceptance and knowledge of non-surgical therapies. In 2023, over 40% of millennials and Gen Z consumers follow beauty influencers, who frequently highlight non-surgical treatments.

North America Dominates Cosmetology Industry with Strong Consumer Spending and Technological Advancements

North America leads the global cosmetology market, driven by factors such as high disposable incomes, a strong emphasis on personal care, and widespread adoption of advanced technology. In the United States, the beauty industry thrives with an annual revenue exceeding $49.2 billion, notably bolstered by skincare products contributing $18 billion alone. In 2022, the average American woman spent approximately $313 monthly on beauty products and services. The sector employs over 1.2 million individuals, and skincare products are used daily by more than 63% of American adults. In Canada, the beauty and personal care market has grown by 5.8% in 2023, reaching $9.7 billion. The demand for non-invasive cosmetic procedures has driven growth, with approximately 24 million minimally invasive treatments performed in the US by 2022. Additionally, there is a growing preference for organic skincare products among 45% of Canadian consumers, reflecting a trend towards sustainability and eco-friendliness. E-commerce has revolutionized beauty retail, accounting for 35% of all sales in North America. The region boasts over 2,300 cosmetology schools, ensuring a steady supply of skilled professionals. Hair and nail salons in the US generate $46 billion annually, underscoring the rising demand for professional beauty services. The beauty tech industry leverages AI and AR to enhance customer engagement through personalized experiences.

Inquire Before Buying:https://www.stellarmr.com/report/enquire_now/Cosmetology-Market/2077 

Key Offerings:

• Past Market Size and Competitive Landscape (2018 to 2022)
• Past Pricing and price curve by region (2018 to 2022)
• Market Size, Share, Size & Forecast by Different Segment | 2024−2030
• Market Dynamics – Growth Drivers, Restraints, Opportunities, and Key Trends by Region
• Market Segmentation – A detailed analysis by Procedure, Application, and Region
• Competitive Landscape – Profiles of selected key players by region in a strategic perspective
  • Competitive landscape – Market Leaders, Market Followers, Regional player
  • Competitive benchmarking of key players by region
• PESTLE Analysis
• PORTER's analysis
• Value chain and supply chain analysis
• Legal Aspects of business by region
• Lucrative business opportunities with SWOT analysis
• Recommendations

Stellar Market Research a leading Pharmaceutical research firm, has also published the following reports:

Beauty Fridge Market: The market was valued at USD 170.38 Million. In 2023 the total revenue is expected to grow at CAGR 8.6% through 2024-2030, reaching nearly USD 303.55 Million.

Herbal Beauty Products Market: The market size was valued at USD 93.36 Bn. in 2023 and the total Global Herbal Beauty Products revenue is expected to grow at a CAGR of 6.1% from 2024 to 2030, reaching nearly USD 141.31 Bn. by 2030.

Clean Beauty Market: The market size was valued at USD 6.41 Bn. in 2023 and the total Global Clean Beauty revenue is expected to grow at a CAGR of 13.8 % from 2024 to 2030, reaching nearly USD 9.92 Bn. by 2030.

Lip and Face Oil Market: The market size was valued at USD 6.15 Bn. in 2023. Global Lip and Face Oil revenue is expected to grow at a CAGR of 4.1% from 2024 to 2030, reaching nearly USD 8.15 Bn. by 2030.

Halal Cosmetics Market: The market size was valued at USD 42.39 Bn. in 2023 and the total Halal Cosmetics revenue is expected to grow at a CAGR of 11.6% from 2024 to 2030, reaching nearly USD 91.39 Bn. by 2030.

Anti-Acne Cosmetics Market: The market size was valued at US$ 4.50 Billion in 2023 and the Anti-Acne Cosmetics revenue is expected to grow at 9.1% through 2024 to 2030, reaching nearly US$ 8.28 Billion.

Anti-aging Cosmetics Market: The market was valued at USD 54.86 billion in 2023. Global Anti-aging Cosmetics Market size is estimated to grow at a CAGR of 5.9 % over the forecast period.

About Stellar Market Research:

Stellar Market Research is a multifaceted market research and consulting company with professionals from several industries. Some industries we cover include medical devices, pharmaceutical manufacturers, science and engineering, electronic components, industrial equipment, technology and communication, cars and automobiles, chemical products and substances, general merchandise, beverages, personal care, and automated systems.

Contact Stellar Market Research:

S.no.8, h.no. 4-8 Pl.7/4,
Pinnac Memories Fl. No. 3,Pune, Maharashtra, 411029[email protected]+91 9607365656

Follow us:

Linkedin |Twitter |Facebook |Instagram |

Logo: https://mma.prnewswire.com/media/2458342/Stellar_Market_Research_Logo.jpg

SOURCE Stellar Market Research

The 4:30 Movie is the sixteenth feature film from director Kevin Smith, and a while back the movie not only received an R-rating from the Motion Picture Association ratings board, but it also secured a distribution deal with Saban Films that will see it reaching theatres sometime this fall (we had previously heard that it would be out this summer, but it apparently shifted back a little bit). Today, Smith took to social media to unveil a poster for the film, which can be seen at the bottom of this article, while also confirming that he’ll be showing the trailer to fans who attend his Hall H panel at the San Diego Comic-Con this Saturday. The trailer with then drop online next Monday morning, which is also when tickets to the world premiere event will be available for purchase.

Set in the summer of 1986, The 4:30 Movie is a coming-of-age comedy that follows three sixteen-year-old friends who spend their Saturdays sneaking into movies at the local multiplex. But when one of the guys also invites the girl of his dreams to see the latest comedy, each of the teens will learn something serious about life and love before the credits roll.

Austin Zajur (Scary Stories to Tell in the Dark), Nicholas Cirillo (Outer Banks), and Reed Northrup (High Maintenance) play the sixteen year old friends, with Siena Agudong (Resident Evil) as the dream girl. Ken Jeong (The Hangover), Sam Richardson (Veep), Genesis Rodriguez (Tusk), Justin Long (Barbarian), Jason Lee (Almost Famous), Rachel Dratch (I Love My Dad), Kate Micucci (The Big Bang Theory), Adam Pally (Sonic the Hedgehog), Harley Quinn Smith (Once Upon a Time… in Hollywood), and Method Man (Power Book II: Ghost) are also in the cast.

The 4:30 Movie was filmed at Smodcastle Cinemas in New Jersey, a theatre Smith now co-owns and used to hang out in every weekend when he was a teenager. Liz Destro, Josh Bachove, and Jordan Monsanto produced, with Bill Bromiley, Shanan Becker, and Jonathan Saba executive producing.

Are you looking forward to The 4:30 Movie? Take a look at the poster, then let us know by leaving a comment below.

A new episode of the Black Sheep video series has just been released, and in this one we’re paying tribute to the late, great Donald Sutherland by taking a look back at the 1994 sci-fi horror film The Puppet Masters (watch it HERE)! You can hear all about it by checking out the video embedded above.

Directed by Stuart Orme, who is quite a prolific TV and music video director (best known for his collaborations with Phil Collins), from a screenplay by Hollywood heavy hitters Ted Elliott & Terry Rossio (The Pirates of the Caribbean) and David S. Goyer (The Dark Knight), The Puppet Masters was based on a novel by Robert A. Heinlein and has the following synopsis: An alien spacecraft sets down in rural Iowa, and top-secret government agents Andrew Nivens and his son, Sam, are sent to investigate. Coming along is NASA biologist Mary Sefton, and together they make a startling discovery: alien parasites capable of taking over the minds of human beings. And the creatures are multiplying. The race is on for the team to stop the invaders before they turn all of humanity into zombie slaves.

Donald Sutherland was joined in the cast by Eric Thal, Julie Warner, Keith David, Will Patton, Richard Belzer, Tom Mason, Yaphet Kotto, Marshall Bell, and Andrew Robinson.

The Black Sheep series features different takes on horror films that the masses or/and critics didn’t care for but that we found merit in. We defend horror movies that deserve more love!

This episode of The Black Sheep was Written, Narrated, and Edited by Lance Vlcek, Produced by Lance Vlcek and John Fallon, and Executive Produced by Berge Garabedian.

What do you think of The Puppet Masters? Let us know by leaving a comment. I haven’t seen the movie since it first reached VHS thirty years ago, but I remember liking it at the time. This video reminds me that I should probably get around to taking in a second viewing.

A couple of the previous episodes of The Black Sheep can be seen below. To see more, head over to the JoBlo Horror Originals YouTube channel – and subscribe while you’re there!

Last Updated on August 4, 2024

If there are two things in life that I love, they are horror and wrestling. So, the idea of combining the two feels like a match made in heaven for this diabolical fan. Dark Match takes the world of professional wrestling and gives it a satanic edge. And who better to have as your charismatic wrestling leader than AEW’s own Chris Jericho? His character of The Leader/The Prophet is every bit as twisted as you would expect. And with this coming from the writer/director of Wolfcop, the stage is set for a fun time. I actually really enjoyed my time with Dark Match (and you can check out the review HERE).

Talking to Chris Jericho was a dream come true as there are few better talkers in the industry. And given his massive love for horror, it was great to pick his brain about the genre. Despite being a wrestler for over 30 years, Jericho doesn’t tend to take wrestling roles in his acting work, so it was great to be able to find out what made this project so special. It’s also great to hear the respect he has for the craft, and in particular, Steven Ogg, who does a fantastic job in the film. He also gets into some of the logistics of filming this while being active in a huge wrestling promotion as well as touring with his band, Fozzy.

Dark Match Plot: A small-time wrestling company accepts a well-paying but too-good-to-be-true gig in a backwoods town only to learn, too late, that the community is run by a mysterious cult leader… and their event is now a pay-per-view fight to the death.

DARK MATCH IS CURRENTLY PLAYING THE FANTASIA FILM FESTIVAL AND IS LOOKING FOR DISTRIBUTION.

About the Author

Tyler Nichols is a horror fanatic who resides in Michigan and is always on the hunt for the next great film. When not scouring the internet for movie news, he is usually off watching something dark, writing nonsensical musings, or playing in some fantastical video game world. While horror takes up most of his time, he still makes time for films of all types, with a certain affinity for the strange and unusual. He’s also an expert on all things Comic Book Cinema. In addition to reviews and interviews here on JoBlo.com, Tyler also helps with JoBlo Horror Originals where he’s constantly trying to convince viewers to give lesser-known horror films a chance.

James McAvoy has reteamed with his Split and Glass producers at Blumhouse for a psychological thriller called Speak No Evil, which Universal Pictures will be giving a theatrical release on Friday, September 13th. With that date swiftly approaching, a new trailer for the film has arrived online and can be seen in the embed above.

James Watkins, whose previous credits include Eden Lake and The Woman in Black, wrote and directed the film, which centers on a family who takes a dream holiday to an idyllic country house, only to have the vacation turn into a psychological nightmare. Speak No Evil is a remake of a 2022 Danish film called Gæsterne (read our review HERE), which was directed by Christian Tafdrup. The director wrote the screenplay for the film with his brother Mads Tafdrup. Gæsterne was nominated for eleven Danish Film Awards, which are the equivalent to what the Oscars are in the United States. That film had the following synopsis: A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. And if you’re interested in checking it out, it’s on the Shudder streaming service under the title Speak No Evil.

I haven’t watched the original film yet… and to be honest, after seeing some comments on the film, I’m not sure I want to. Some of what I saw was negative, but even the positive reviews indicate that Speak No Evil is a bummer on a scale that I don’t really need right now. But I will be interested to see how viewers think this remake compares to the original.

Blumhouse founder Jason Blum is producing the Speak No Evil remake. Christian Tafdrup serves as executive producer alongside Paul Ritchie, Jacob Jarek, and Bea Sequeira.

McAvoy is joined in the cast of the remake by Mackenzie Davis (Terminator: Dark Fate), Scoot McNairy (Monsters), and Alix West Lefler (The Good Nurse).

Are you looking forward to the Speak No Evil remake? Take a look at the new trailer, then let us know by leaving a comment below.

Koya Webb's holistic wellness expertise has been featured on national media outlets such as goop, Forbes, NBC, CBS, The Steve Harvey Show, and Essence. She has worked with a roster of celebrity clients including Stevie Wonder, India Arie, and Ashley Judd.

"We're delighted to bring goop-curated experiences and experts to Baha Mar," said Graeme Davis, President of Baha Mar. "goop is a trailblazing brand rooted in curiosity and authenticity that, like Baha Mar, offers its guests the luxury of choice. We look forward to enjoying spectacular experiences during our upcoming Baha Mar Wellness Weekend."

Guests will commence the wellness retreat on Friday evening with a welcome reception featuring health-conscious, Bahamian-inspired dishes at Marcus Up Top, the oceanfront rooftop venue at Marcus at Baha Mar Fish + Chop House. Saturday's activities begin with a 45-minute dance cardio TORCHD class by Isaac, followed by The Healing Flow, a restorative yoga session by Koya on the Rosewood Lawn. Guests can then unwind at Nexus, Baha Mar's exclusive members-only club, transformed into a wellness lounge for the weekend. The day will conclude with a choice of dining at one of Baha Mar's renowned restaurants: Cleo Mediterranean, Marcus at Baha Mar Fish + Chop House, Costa, or an intimate mindful eating cooking class at The Kitchen, Baha Mar's culinary venue and learning center.

Sunday's schedule includes revitalizing cardio and breathwork sessions, with Isaac leading his signature TORCHD class and Koya guiding guests through Breakthrough Breathwork. Guests will also indulge in a treatment at ESPA, the resort's 30,000-square-foot luxury spa. ESPA's treatments, inspired by the natural surroundings of The Bahamas, cater to every relaxation need, from mental clarity and restful sleep to intense muscle relief.

The retreat will conclude with a serene Reflections on the Water sunset catamaran cruise, where attendees can toast to their rejuvenating weekend. Additionally, guests will receive surprise goodies from Baha Mar and goop to enhance their wellness journey and provide keepsakes to take home.

The full schedule can be seen below:

Friday:
7 p.m. - Mix and Mingle at Marcus: Guests will be welcomed to a carefully curated selection of fresh and sustainable dishes served alongside stunning beach views at Marcus Up Top

Saturday:9 a.m. - TORCHD with Isaac Boots and goop10:30 a.m.- The Healing Flow with Koya Webb and goop12 p.m. - Relaxing afternoon in the Baha Mar Wellness Lounge at Nexus and enjoy coastal flavors and refreshing goop cocktails Late afternoon - Complimentary Spa by Appointment7 p.m. - Dinner at one of Baha Mar's signature restaurants: COSTA, CLEO, Marcus At Baha Mar Fish & Chop House, or The Kitchen (an interactive cooking class featuring fresh and local cuisine)

Sunday:9 a.m. – Breakthrough Breathwork with Koya Webb and goop10 a.m. - Mid Morning Break with goop Smoothie and Light Refreshments11 a.m. - TORCHD with Isaac Boots and goop1 p.m. - Relaxing afternoon in the Baha Mar Wellness Lounge at Nexus and enjoy coastal flavors and refreshing goop cocktailsLate afternoon - Catamaran Cruise7 p.m. - Dinner at one of Baha Mar's signature restaurants: Dinner at one of Baha Mar's signature restaurants: COSTA, CLEO, Marcus At Baha Mar Fish & Chop House, or The Kitchen (an interactive cooking class featuring fresh and local cuisine)

Weekend packages, inclusive of all mentioned activities, start at $1,500. For more information on the Baha Mar Wellness Weekend, visit www.bahamar.com/wellness-weekend.

About Baha MarBaha Mar is a master planned integrated resort development situated on 1,000 acres overlooking the world's famous Cable Beach. The white sand beach destination includes three global brand operators – Grand Hyatt, SLS, and Rosewood – over 2,300 rooms and more than 45 restaurants and lounges, the largest casino in the Caribbean, a state-of-the-art convention center, Royal Blue Golf Course, an 18-hole Jack Nicklaus signature course, a brand new $200 million Baha Bay luxury water park, the Caribbean's first and only flagship ESPA spa, and over 30 luxury retail outlets. Baha Mar is a breathtaking location with dynamic programming, activities, and guest offerings in one of the most beautiful places in the world – The Bahamas. For more information and reservations, visit www.bahamar.com.

SOURCE Baha Mar

What have we become? In my 14 years at JoBlo, I never thought I’d add the term “Skibidi Toilet” to our back-end tag cache. Yet, here I am, trying not to curl into a fetal position while spiraling into despair as I type the following words. The filmmaker with an explosion fetish, Michael Bay, and Paramount Pictures president Adam Goodman, are developing a Skibidi Toilet film and TV franchise. Kill me now.

Are you still with me? The duo discussed bringing the evolving digital video short series to other entertainment arenas on the latest episode of Variety’s “Strictly Business” podcast.

“We are absolutely in talks right now, both on the television side and the earliest conversations right now on the film side,” Goodman said. “But it’s not a be-all, end-all for us.”

Understand this, friends. The Skibidi Toilet digital series is massive. The YouTube and Roblox series makes so much money I need to push the disembodied head in the toilet aside to puke into the porcelain throne. Last year, reports said the Skibidi Toilet video network made $374.9K to $6M monthly. Let that sink in.

What is Skibidi Toilet? On Feb. 7, 2023, Alexey Gerasimov uploaded an 11-second video to his YouTube channel DaFuq!?Boom! called “skibidi toilet,” which featured a head emerging from a toilet singing. The video short blew DaFaq up, becoming a cultural phenomenon among the Fortnite and Roblox generation. Gerasimov kept making videos, more than 70 of them, each lasting 1 to 5 minutes in length. Believe it or not, the series tells a story about a war between Toilets and Cyborgs. The videos feature plenty of explosions (hence the Michael Bay connection) but are dialogue-free, save for the scat-inspired singing. Gerasimov’s empire grew as Generation Alpha continued to share the Skibidi Toilet videos. Today, we’re staring down the barrel of a Skibidi Toilet film and TV franchise directed by Michael Bay. Again, what have we become?

“I will say that Michael and Jeffrey Beecroft, who’s his longtime production designer and a colleague of his that’s worked with him on all of his movies, have been working very closely with Alexey to really professionalize the kind of back engine of this, to make sure, if we ever decide to go film or television, that this is kind of lifted beyond just the resources that creators have on the internet,” said Goodman.

Jokes aside, they are jokes, so don’t come for me, kids. Skibidi Toilet’s popularity is a legend on the internet. So, of course, a studio wants to capitalize on the latest viral sensation. Look at how long Hawk Tuah Girl’s 15 minutes have lasted! Get your money, queen! I’m 43 years old, so the appeal and extensive lore of Skibidi Toilet are beyond my understanding. If someone can make a mint off a singing disembodied head in a toilet, all the power to them.

To be clear, Goodman says the Skibidi Toilet film and TV franchise could arrive in the style of John Wick or District 9. However, everything has yet to be official.

Dare I ask, are you a Skibidi Toilet fan? What do you think about Michael Bay boarding a Skibidi Toilet film? Let us know in the comments section below.

With the arrival of the scorching heat, this heat-relieving food rooted in Changle has not only gained popularity domestically but also spread overseas, becoming a new favorite for summer delicacies.

Located in the Kuiqiao Night Market of Changle District, the Liangliang Iced Rice Restaurant is always packed by 4 pm every day. Here, the iced rice, with its sweet glutinous rice, clear sugar water, refreshing shaved ice, sweet fruits, and crispy peanuts, has won unanimous praise from diners.

"Since the arrival of summer, many local people and tourists come to eat iced rice, and there are many takeout orders. We can sell more than 1,000 bowls of iced rice every day," said the person in charge of the restaurant.

With the opening of the Fuzhou Metro Line 6, the popularity of Changle iced rice has further increased, becoming the "internet celebrity" food of the night market.

The person in charge of the Liangliang Iced Rice Restaurant said that they have specially consulted the senior people in the countryside for the skills of cooking to ensure that every mouthful of iced rice is full of chewiness and sweetness.

With the change of public taste, iced rice made from taro paste and sago instead of rice has also become a rising star, favored by young people. And the ice water, as the exclusive secret recipe of each iced rice restaurant, is the indispensable ingredient.

Changle is not only a domestic tourist destination but also a hometown of many overseas Chinese. Iced rice not only makes domestic tourists yearn for it but also has been taken to the United States, Spain, and other countries.

Iced rice, with its unique refreshing taste and profound cultural heritage, has not only set off a heat-dispelling craze in the summer in China but also shown the endless charm of Chinese cuisine internationally.

Original link: https://en.imsilkroad.com/p/341237.html

SOURCE Xinhua Silk Road

Animated motion picture history is upon us, friends! Pixar‘s Inside Out 2 is the highest-grossing animated film ever after surpassing Disney’s Frozen 2 at the global box office. The emotionally charged sequel achieved this milestone after six weeks of release, with a total domestic value of $601 million and $861 million internationally, totaling $1.46 billion! This astonishing achievement unseats Disney’s Frozen 2 after the sing-a-long sequel banked $1.45 billion at the box office. Disney’s The Lion King remake made an astounding $1.65M, but the Jon Favreau-directed film is technically a live-action CGI hybrid.

Looking at the numbers, Inside Out 2 beat Greta Gerwig’s Barbie in ticket sales, becoming the 13th-biggest movie ever. It is also the fastest animated movie to surpass the $1 billion mark after 19 days of release. Moreover, Pixar’s sequel is the highest-grossing film of 2024.

Inside Out 2 is one of the biggest Hollywood successes of all time for many factors. In addition to being a family-friendly affair, the film taps into what Pixar does best: create emotionally driven and relatable narratives around endearing characters with more heart than audiences anticipate. Riley’s story isn’t just for young girls. It’s a story everyone can relate to. We all experience embarrassment, envy, ennui, and anxiety as we stumble through puberty. Inside Out 2 distills that personal journey into an entertaining adventure with incredible writing, stunning visuals, and boundless creativity.

In Pixar’s Inside Out 2, a teenage Riley (Kaitlyn Dias) attempts to make new friends while navigating a foreign environment and social pressures. Her emotions, Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale), and Disgust (Liza Lapira) return to aid Riley in her mission to fit in. However, with fresh experiences come new emotions, and Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser) are moving into Riley’s head. As Riley’s brain becomes crowded with possibilities, unknowns, and what-ifs, she spirals out of control while trying to make sense of her hormones, mood swings, and fight-or-flight intuition.

Many things can trigger these volatile emotions in the human brain, paving the way for other complications. I trust Riley can navigate the storm, though I believe we’re in for nasty weather before she sorts her feelings.

Are you surprised that Inside Out 2 has become the highest-grossing animated film ever? Let us know in the comments section below.

About the Author

Born and raised in New York, then immigrated to Canada, Steve Seigh has been a JoBlo.com editor, columnist, and critic since 2012. He started with Ink & Pixel, a column celebrating the magic and evolution of animation, before launching the companion YouTube series Animation Movies Revisited. He's also the host of the Talking Comics Podcast, a personality-driven audio show focusing on comic books, film, music, and more. You'll rarely catch him without headphones on his head and pancakes on his breath.

MIAMI, July 23, 2024 /PRNewswire/ -- W, the men's personal care brand from Jake Paul made to smell great and designed to work harder, today announced it has raised a Series A led by Shrug Capital. Valued north of $150 million, W has raised $14 million in funding to-date, inclusive of seed financing and incubation from Anti Fund. Prominent co-investors include Range Group, 305 Ventures, Uphonest Capital, Quiet Capital and Palm Tree Crew, with participation from individuals including Celsius' CEO John Fieldly, Fanatic's CEO Michael Rubin, Lil Durk, Nick Kyrgios, Naomi Osaka, and Carter Reum and Paris Hilton.

"It's incredibly important to me that W fill the void that's been apparent in the men's personal care category for decades," said Jake Paul, Founder of W. "Everything W does is different — from driving record sales in under a month to our forward-thinking approach to creator partnerships. Our funding to date reflects our investors' confidence in the immense opportunity we have to build a new type of legacy brand in unique and unexpected ways. I invested my own capital into this company along with my partner and Co-Founder Geoffrey Woo because we strongly believe in W's runway to achieve a massive and successful future."

Launched last month exclusively at Walmart, W is already breaking records as the retailer's best launch in its 'Emerging Brands' category history, blowing past seven figures in sales and on track to hit north of $50 million in sales by the end of its first year. W will use the capital to support both SKU and retailer expansion as the company continues on its mission to reinvigorate the men's personal care aisle through its better-for-you products at a great value.

"The industry is riddled with legacy players that are taking antiquated approaches and in turn are losing market and mindshare," said Moshe Lifschitz, Shrug Capital's Managing Partner. "When we think about brands that will shape the next generation of household brands, W has all the characteristics. We are extremely excited to partner with Jake, Woodie, and Geoff and look forward to the many wins to come."

W has also assembled an all-star team of W Co-Owners — a roster of celebrity and influential brand ambassadors who embody the winning spirit in their respective industries. The equity holders announced to-date include MMA champion and ESPN's 2024 Best UFC Fighter recipient, Sean O'Malley and hip-hop megastar, Rubi Rose, with more Co-owners to be announced soon. The goal of the Co-Owners is to bring together people Paul admires who represent hard work, ambition, and do things differently across their unique domains of expertise.

"We realized the typical direct-to-consumer playbook wasn't right for us and instead decided to launch retail-first with Walmart, America's biggest retailer," said W's CEO and Co-Founder, Woodie Hillyard. "I'm extremely excited to see that consumers are reacting so positively to W since our launch just last month. We're looking forward to expanding our consumer touchpoints and breaking records as one of the biggest CPG brands to hit the market."

For more information, visit www.getw.com and follow @itscalledw on Instagram and TikTok.

About WW is a men's personal care brand founded by pro-boxer, entrepreneur and digital creator, Jake Paul, that is made to smell great and designed to work harder. Founded to give men the confidence to win in all pursuits of life, W's better-for-you products are designed to work hard when you need them most. Offering a range of accessibly priced products for hair, body, and face, W products are vegan, cruelty-free, and formulated without phthalates, parabens, harsh sulfates, or artificial dyes. W's formulas are infused with vitamins like Magnesium, Biotin, and Vitamin E to nourish hair and skin. The collection is available in three uplifting scents that were developed with mood-boosting fragrances. W can be found nationwide at Walmart and on Walmart.com. For more information, visit www.getw.com.

About Shrug CapitalShrug Capital invests in culturally relevant companies and has an impressive portfolio in the consumer space including MrBeast's Feastables and Liquid Death. The firm was founded in 2018 and is led by Niv Dror and Moshe Lifschitz. Shrug manages over $125 million in AUM and invests across a variety of industries. Shrug has unique access to business leaders, founders, executives, and celebrities who regularly co-invest and work with the companies Shrug partners with. Shrug is known to be super connectors, bridging the gap between leaders in tech and entertainment. More at www.shrug.vc.

About Anti FundAnti Fund is a venture capital firm founded by Jake Paul and Geoffrey Woo in 2021. Anti Fund believes the best founders are rebels and iconoclasts, and the "anti" ethos resonates with the very best engineers, scientists, and creators. Startups live and die on two levers: capital and attention. While capital is fungible, the ability to command attention is not. Whether a company sells consumer products or is a research lab producing AI & robotic foundational models, they all must compete on the ability to win mindshare and ultimately customers and revenues. Visit www.antifund.vc for more information.

SOURCE W Labs Inc.

We’ve known all along that director Zack Snyder intended to release extended, R-rated director’s cuts of his movies Rebel Moon: Part One – A Child of Fire (read our review HERE) and Rebel Moon: Part Two – The Scargiver (read our review of that one HERE), which were rated PG-13 in their shorter form. Snyder said that there would be an hour of extra content in each of these director’s cuts – and now the Netflix listings for the director’s cuts, which sport the titles Rebel Moon – Chapter One: Chalice of Blood and Rebel Moon – Chapter Two: Curse of Forgiveness have revealed just how much more Rebel Moon we’re going to be getting when these versions of the movies drop onto the streaming service on August 2nd. Rebel Moon – Chapter One: Chalice of Blood has a running time of 3 hours and 24 minutes, a full 70 minutes longer than the A Child of Fire cut. Rebel Moon – Chapter Two: Curse of Forgiveness has a running time of 2 hours and 53 minutes, which is 51 minutes longer than the Scargiver cut.

Rebel Moon – Chapter One: Chalice of Blood has been given a R rating for brutal bloody violence and gore, sexual content, graphic nudity and language. Rebel Moon – Chapter Two: Curse of Forgiveness received an R rating for strong bloody violence and gore throughout, strong sexuality, nudity and some language.

Snyder has always been open about the fact that he’s hoping “a massive IP and a universe that can be built out” from the foundation of Rebel Moon. He crafted the story for Rebel Moon with 300 co-writer Kurt Johnstad, and the pair wrote the screenplay with Army of the Dead co-writer Shay Hatten. The events of the two films, which draw inspiration from Seven Samurai, are set in motion when a peaceful colony on the edge of the galaxy is threatened by the armies of a tyrannical regent named Balisarius. Desperate, the colonists dispatch a young woman with a mysterious past to seek out warriors from neighboring planets to help them make a stand.

Here’s press release information on the director’s cuts: Delve further into the mythology and madness of Zack Snyder’s epic sci-fi saga in the viciously sexier, bloodier world of Rebel Moon — Chapter One: Chalice of Blood and Rebel Moon – Chapter Two: Curse of Forgiveness. In Snyder’s director’s cut, a peaceful settlement on a moon in the furthest reaches of the universe finds itself threatened by the armies of the tyrannical Regent Balisarius, and Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival. Tasked with finding trained fighters who will unite with her in making an impossible stand against the Motherworld, Kora assembles a small band of warriors — outsiders, insurgents, peasants, and orphans of war who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a new army of heroes is formed.

The films star Sofia Boutella (The Mummy), Charlie Hunnam (Sons of Anarchy), Djimon Hounsou (A Quiet Place Part II), Ray Fisher (Justice League), Doona Bae (The Host), Jena Malone (Sucker Punch), Staz Nair (Supergirl), E. Duffy (whose previous credits are all short films), Charlotte Maggi (MaveriX), Sky Yang (Tomb Raider), Michiel Huisman (Game of Thrones), Alfonso Herrera (Ozark), Cary Elwes (Saw), Corey Stoll (Ant-Man), Ed Skrein (Deadpool), Anthony Hopkins (Hannibal), and Stuart Martin (Army of Thieves).

Snyder, his wife Deborah Snyder, and Wesley Coller are producing the Rebel Moon films through their company Stone Quarry. Eric Newman is producing via his banner, Grand Electric, while Grand Electric’s Sarah Bowen executive produces.

What do you think of the run times for the Rebel Moon director’s cuts? Are you looking forward to checking these movies out next week? Let us know by leaving a comment below.

Joining the event were stars like host and Real Housewives of NYC favorite Jill Zarin, Kristen Taekman, Ramona Singer, Luann de Lesseps from Real Housewives of New York, and Cynthia Bailey from Real Housewives of Atlanta. The guest list also includes Margaret Josephs and Dolores Catania from Real Housewives of New Jersey, LeeAnne Locken from Real Housewives of Dallas, and many more. Media presence will be strong with representatives from US WEEKLY, PEOPLE MAGAZINE, E! News, and Cosmopolitan, among others. Attendees got to experience Oneisall's Summer-Perfect Pet Products which were the stars of the show and included:

Oneisall Classic Clippers – Perfect for keeping your pets hair and paws perfectly cut and styled, this 2-1in-1 hair and paw clippers offers cordless usage and an angled head for reaching small areas.  Check it out here.

Cozy C1 - Best Summer Pet Grooming Kit: the Cozy C1's versatile blow dryer and clipper are equally useful during the summer. After those fun, messy outdoor activities, its fast blow-drying feature and adjustable wind power help keep your pets clean and comfortable. Discover more here.

7L Water Fountain - Best Large Capacity Water Dispenser for Multi-Pet Families: Summer hydration is crucial, and this stainless steel water fountain is ideal for keeping multiple pets refreshed. With a 7-liter capacity, it ensures your pets have ample clean water throughout the hot days. The easy-to-clean, dishwasher-safe design and red light water replenishment reminder make it a summer essential. Find it here.

5L Automatic Food Dispenser with WIFI - Best Double Bowl Wifi Feeder for Multi-Pet Households: Perfect for summer travel and busy days, this smart feeder allows you to manage your pets' feeding schedules via an app. Its design, featuring two bowls placed 11 inches apart, ensures both pets can eat simultaneously without fuss. The 5L capacity means fewer refills and more time enjoying the summer. Learn more here.

Real Housewives of New Jersey star Dolores Catania gushed over the Oneisall products while stopping by their booth, looking beautiful as always (In accompanying picture). Catania is an animal lover, and currently has several recued pit bulls in her care, Lolli and Lulu, whose tragic stories ended in being rescued by Catania, who like other pet owners, treats their pets like royalty, perfectly suited for Oneisall's luxurious pet products that aim to enrich both the pets and owners lives.

Event Details:Date: July 20, 2024Time: 11:00 AM - 4:00 PMLocation: Southampton Inn, 91 Hill St, Southampton, NY 11968Social Channels: @Oneisall_official @mrsjillzarin @ticket2events @officialbriankelly @seankoskiiEvent Hashtags: #jillzarinluxlunch #Oneisall #Transformhowyoupet

For more information, product samples, or to schedule an interview, please contact the Oneisall media team at [email protected]. 

About Oneisall:Oneisall is committed to creating high-quality, innovative smart pet products that cater to the needs of active pets and multi-pet households. From grooming kits to hydration solutions and automated feeders, Oneisall products are designed to simplify pet care, ensuring that pets stay healthy, happy, and well-cared for during the vibrant summer season and beyond.

SOURCE Oneisall

[embed]https://www.youtube.com/watch?v=y_cdr5gA_cI[/embed]

Back in the late 90s, a handful of powerful Hollywood producers set out on what was then a very exciting venture for genre fans: Dark Castle Entertainment, a production company dedicated to making medium-budget horror movies with A-list casts. Inspired by the legacy of beloved 50s schlockmeister William Castle, Dark Castle was going to remake some of the producer-director’s most famous works, like House on Haunted Hill and 13 Ghosts, in addition to focusing on original material. These movies weren’t going to be cheapies like Castle’s were – they’d have substantial budgets for the genre, top-tier creative teams behind the camera, and recognizable faces from film and television in front.. It was an inspired idea, and though now we look back on the venture with bittersweet memories, Dark Castle definitely left its mark on the horror genre. Calling Warner Bros. its home, Dark Castle had put out four features by 2004, all to middling reviews from critics and mixed responses from the paying public. But they weren’t about to stop their output; in fact, they were ready to embark on their most ambitious and expensive movie yet; this one a remake not of a William Castle movie, but the famous Vincent Price 3D shocker House of Wax. And this time it wouldn’t just be the wax that was hot; the film’s attractive young cast was going to be the main selling point – especially a notorious fame-obsessed heiress with a “hot” catchphrase (“that’s hot”). Would this gamble finally get Dark Castle the box office hit it craved, or would the whole thing go down in flames? Turn the lights down and fire up some candles – although not too many, now – because we’re going to find out WTF Happened to House of Wax (watch it HERE).

Dark Castle was formed by Joel Silver, Robert Zemeckis and David Giler, three power players known for their billion-dollar-grossing blockbusters, like the Die Hard, Back to the Future, and Alien franchises. They were also well known for being three of the main creatives behind HBO’s Tales from the Crypt, which for years had doled out cheap scares and salacious sex with famous names in front of and behind the camera. They were taking their Tales from the Crypt sensibility to the big screen with their Dark Castle movies, which was absolute catnip to a young horror fan like yours truly.

Silver was the main force behind the company, heavily involving himself in every aspect of every stage of production. That would remain the case with House of Wax, although it was evidently Alan Horn, the chief of Warner Bros, who had the idea of remaking the Vincent Price classic – which itself was a remake of the 1933 chiller Mystery of the Wax Museum. Silver and his co-producer Susan Downey – yes, Robert Downey Jr’s main lady – were looking for writers with an interesting new take on the material for years to no avail. One day they had a meeting with twin brother screenwriters Chad and Carey Hayes, not exactly Hollywood heavyweights themselves with made-for-TV titles like Horse Sense and First Target to their credit. Silver asked the brothers if the title House of Wax meant anything to them, and they admitted to not having seen the original movie, but agreed to pitch their take on it.

Consciously not seeing the original, the brothers drew upon frightening experiences they actually had in their lives. Once during a camping trip a mysterious truck pulled up to them with its headlights ominously trained on the tents, drawing confused and frightened responses from the campers. Another instance saw the brothers accidentally fall into a roadkill pit – which is as disgusting as anything I can imagine, frankly. Both of these events made it into their pitch, helping convince Silver that he’d finally found the guys to bring House of Wax to vibrant life.

To helm the film, Silver found a 30-year-old director known for flashy ad campaigns named Jaume Collet-Serra, who’d never directed a feature film but was one of the busiest people in the commercial business, shooting for Playstation, Budweiser, Verizon among many others.

Unlike Dark Castle’s previous productions, House of Wax was intentionally skewing younger, casting actors in their early twenties to hopefully draw a crowd in a similar age range. It was, of course, Joel Silver’s idea to cast Paris Hilton in a supporting role. At the time, Hilton was one of the most famous, or infamous, people in the world, thanks to being a tabloid staple, starring in a popular reality show The Simple Life and, well, that sex tape with her ex that seemingly everyone had seen in 2003. Silver was betting that, despite her polarizing public image, Hilton would put asses in the seats. And he certainly could use the help, as House of Wax’s $40 million budget was Dark Castle’s largest yet, and quite an eye-popping sum for a B-horror movie.

The other main players in the cast would be familiar to any avid TV watcher: Chad Michael Murray of One Tree Hill fame was cast as bad boy ex-con Nick; playing his good-girl sister Carly would be 24 star Elisha Cuthbert; and playing Carly’s jock boyfriend was Gilmore Girls’ Jared Padalecki, still a year away from beginning his long run on Supernatural.

But the main stars of House of Wax would be its extravagant sets and ghoulish art direction. Overseen by Graham “Grace” Walker, who’d headed up the designs of Dark Castle’s Ghost Ship and Gothika, the sets for House of Wax would be built in Australia, the interiors at Village Roadshow Studios. The exterior of the small town was built from scratch where there once sat a lush green field. The town itself took approximately 10 weeks to build, with an estimated 2 miles of cable running underneath the streets in order to power up the various lights housed everywhere. For all intents and purposes, it was a fully functional town. Silver, being involved in every aspect, wanted to base the look of the town on Asmara, a city in Africa known for its eclectic architecture.

All the stops were going to be pulled for House of Wax, including an MTV special entitled Movie Life: House of Wax which would be a five-episode behind-the-scenes look at the making of the film, as well as the social lives of its four stars. Having MTV on set allowed for a rare glimpse at the ins-and-outs of the making of a Hollywood film, capturing the highs and lows of the enterprise. Naturally, it helped that Paris Hilton was in the cast, since everything surrounding her was already a reality show, so why not capitalize on that by airing the show weeks before the film’s May 6th premiere?

The show actually gave fairly interesting insight into the production of the film. Early on we see just how meticulous Silver is about the project, as he looks over every actor’s hairstyles and costume, almost like a judge in a contest. Paris being Paris, the character of Paige’s clothes were not to her liking because it clashed with her own signature style; most likely she needed prompting – from Silver or someone else – to remember she wasn’t playing herself in the film. She was certainly reminded of that on her first real day of acting. During the first campout sequence where Paige and Carly have some girl-talk in the middle of the night, Paris couldn’t be urged to get to set thanks to an anxiety attack. While moonlight was burning, Paris sat in her trailer for an extended period of time before being successfully coaxed out by her acting coach and the on-set nurse. It’s to her credit that Paige is ultimately so much different than Paris, so the acting coach really did pay off…

All jokes aside, it does appear as though making House of Wax was a rough ride for all involved. Jared Padalecki, much to his chagrin, only found on while on set that he’d really have to be sprayed with a hot wax-like material during Wade’s creepy mummification sequence. Elisha Cuthbert actually had her lips glued shut for the scene where villainous Bo traps Carly and seals her mouth closed. Because Cuthbert could not keep her lips closed for long durations of time while struggling, she suggested to the prop team that they use an actual glue to do the job. It worked out, and what you see in the movie is – at least for the most part – the real deal. Chad Michael Murray had plenty of bruises by the time shooting was over, especially thanks to a busted knee during one of the climactic sequences of Nick and Carly trying to escape. Not only that, he had all manner of things dropped on him from above, including a light fixture that accidentally hit his head. Thanks to the MTV special, we get to see Murray lose his cool on Collet-Serra bit, but who can really blame him after all that mess?

But all that was nothing compared to House of Wax‘s most notorious on-set disaster. About a month and a half into production, during a climactic battle between Nick and Bo, Chad Michael Murray noticed a curious thing when he hit the ground: his fingers were burning, like, literally bubbling thanks to the intense heat of the supposedly-controlled fire around him. This time, the fires were not under control, and before anyone knew what was happening the wall, and soon the entire set, was covered in flames. Thanks to the actual wax the production was using on nearly every piece of the set, the fire quickly became an inferno that could not be taken care of. What happened was that the wax had melted onto the flame retardant material that was on the walls and floors meant to stop any actual fires from breaking out, rendering it useless. Working with that much wax around so much fire was always going to be a dicey proposition, and now they knew just how dangerous it could be.

Thankfully, cast and crew rushed to safety outside, but serious damage was being done on the inside. Before it was extinguished by local firemen, the fire wrecked three entire sound-stages, plus all the equipment, props, wax figures and everything else it could get its flames on. Millions of dollars in damage, not to mention now the production was now without a good portion of its sets. House of Wax had just become a real-life horror movie for all involved, so the next time you watch this grimy little slasher movie, appreciate people almost died making it!

Naturally, production had to shut down and sets needed to be rebuilt. Two of the sets took a few weeks to be recreated, while another took several months. Many weeks went by before shooting could resume, which it eventually did. Paris’ infamous death scene was one of the last sequences to be shot, and it must be said the, um, “actress” was a trooper for toughing it out in a smelly and cold old sugar factory where the scene was shot. Worth noting: Paris wanted her character to be wearing heels while running away from the killer at night in the woods but that bright idea was nixed by Joel Silver, who thought it was – to quote him – stupid.

The big finale of the film sees the wax museum go down in a slimy heap, and this was achieved by blending footage of a detailed miniature of the building and CGI – some of the only CGI in the film, per the director’s request that things be done as practically as possible. To our knowledge, no footage of the set actually burning down weeks before was used in the final cut.

Once the movie was ready to be released, most of the marketing centered around Paris’ involvement. In an inspired move, the studio made no secret of the fact that she was going to get killed, and in fact played up that fact by having Hilton herself promote a “see Paris die!” campaign. During the spring of ’05 in L.A. it wouldn’t have been unusual to see people walking around with the “see Paris Die” logo emblazoned on their t-shirts. Again, you got to admit she was a trooper about it, and for her efforts she eventually “won” the Worst Supporting Actress Razzie the following year.

House of Wax opened the summer movie season on May 6, 2005; its main competition was Ridley Scott’s Kingdom of Heaven which opened that same day. Despite plenty of pre-release hype, the horror pic didn’t set the world on fire, opening with a rather unexceptional $12 million. According to writers Carey and Chad Hayes, Warner Bros. was expecting the movie to open big, and when it didn’t plenty of those involved were understandably dismayed. House of Wax would ultimately finish with a deathly $69 million worldwide, not nearly enough to recoup its $40 million budget. The Hayes brothers allegedly pitched the idea of a prequel to the studio that would center on the murderous brothers’ exploits prior to meeting our protagonists, but the studio wasn’t interested thanks to the film’s poor showing. And perhaps they simply didn’t want to risk another studio burning down…

But House of Wax has remained in the conversation for plenty of horror fans in the almost two decades since its release; there’s an appreciation for its mean-spirited attitude, its slow burn approach, and the excellent production design and make-up effects on display. And seeing Paris get a pole through her head? That’s hot indeed.

A couple of the previous episodes of WTF Happened to This Horror Movie? can be seen below. To see more, head over to our JoBlo Horror Originals YouTube channel – and subscribe while you’re there!

Patrick Dempsey has joined the cast of Dexter: Original Sin as a series regular. He’s set to play Aaron Spencer, the Captain of Miami Metro Homicide who has a decades-long relationship with Harry Morgan, Dexter’s father. Should we be concerned that this character hasn’t been mentioned before?

Dexter: Original Sin is set in 1991, 15 years before the events of the original series. It follows Dexter “as a student transitioning into a serial killer in training. When his bloodthirsty urges can no longer be ignored, Dexter finds solace and understanding in Harry. As his only confidant, he teaches Dexter a Code that’s designed to help him find and kill people who deserve to die—all while avoiding getting caught by law enforcement. This is a particular challenge for young Dexter as he begins a forensics internship at the Miami Metro Police Department.“

Patrick Gibson (Shadow and Bone) will be playing Dexter in the prequel series, taking over from Michael C. Hall. I don’t really know if the role needed to be recast; I’m sure they could have dug up that terrible flashback wig and slapped it on Hall once again. The rest of the cast includes Christian Slater (Mr. Robot) as Harry Morgan, Molly Brown (Senior Year) as Debra Morgan, James Martinez (Love Victor) as Angel Batista, Christina Milian (Falling Inn Love) as Maria LaGuerta, Alex Shimizu (The Blacklist) as Vince Masuka, and Reno Wilson (Mike & Molly) as new character Bobby Watt.

Clyde Phillips, who served as the showrunner of the first four seasons of the original series and the Dexter: New Blood revival, is back as showrunner and executive producer on the prequel. Production kicked off in Miami earlier this month. The series will be available from Paramount+ with Showtime, with the first season expected to consist of 10 episodes.

As a fan of Dexter, particularly the first four seasons, I’ll admit that I’m intrigued by this prequel. But we saw so much of Dexter’s younger years play out in flashbacks throughout the series; is there really multiple seasons worth of story left to tell?

It’s been five years since it was first announced that Mahershala Ali would star in Blade, but with a revolving door of writers and directors, it seems that the project can’t catch a break. To quote the man himself, “Some motherf***ers are always trying to ice skate uphill.“

A new report from THR mentions that Blade star Mahershala Ali is growing “increasingly frustrated” with the lengthy development process, which is entirely understandable. Nearly every single project that was announced alongside Blade at Comic-Con 2019, including Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder, has already come and gone.

Blade was originally to be directed by Bassam Tariq, but Marvel reportedly grew concerned that he wasn’t the best fit for the project. The studio gave Ali a list of potential replacements, but the actor conducted his own search and handpicked Yann Demange, who recently exited the project. Blade was just weeks away from starting production last year when it was hit by the writers strike and then the actors strike. Everything shut down, but even when the strikes concluded, Blade was left dormant. Delroy Lindo and Aaron Pierre, who were reportedly attached to the project, departed, and new writers were brought in to tackle the script.

It’s hard to say how many millions of dollars have been spent on Blade so far, with THR’s report even stating that a “massive train set” was built for one version of the production when Tariq was still at the helm. The scripts have shifted time periods several times as well, with the version that almost started shooting last year said to have been set in the 1920s. The current script, which is being penned by Eric Pearson, is reportedly set in the modern day.

I sincerely hope that Marvel is able to pull this off at the end of the day, but it’s hard to see the studio struggle so much to get this made. Original Blade star Wesley Snipes even commented on the turmoil, writing, “Blade, lordylordylordy…folks still lookin for the secret sauce, ridin snowmobiles in traffic, kinda rough. Daywalkers make it look easy, don’t they?“

Get a detailed analysis on regions, market segments, customer landscape, and companies- View the snapshot of this report

Market Driver

The 3D printed jewelry market is experiencing significant growth due to vendors' increased use of social media for product promotion. Platforms like Facebook, Instagram, and Twitter are popular for announcing new store openings, product launches, and engaging customers. Entertainment media partnerships and celebrity endorsements are also effective strategies for market expansion. These promotional efforts help establish brand identity and build customer trust, contributing to the market's growth during the forecast period. 

The 3D printed jewelry market is experiencing significant growth, with artisans and designers utilizing this technology to create unique pieces. Three-dimensional printing allows for intricate designs and customization, making it a popular trend in the industry. Designed objects include rings, pendants, and earrings, with materials ranging from plastic to precious metals. Consumers appreciate the ability to produce one-of-a-kind items, and the technology's versatility enables the creation of complex structures. The use of 3D printing in jewelry production is a game-changer, offering endless possibilities for innovation and personalization. The trend is expected to continue, with an increasing number of artists and businesses adopting this technology. 

Research report provides comprehensive data on impact of trend. For more details- Download a Sample Report

Market Challenges

•         The 3D printed jewelry market faces significant challenges during the forecast period. A shortage of skilled labor and high product costs act as major restraints. The lack of trained workers to operate and maintain 3D printing machines hinders industry growth. Smaller businesses may find the initial investment prohibitive due to high labor costs and the need for larger, more expensive printers. Additionally, finding compatible materials that meet quality standards can be challenging, further impeding market expansion.

•         The 3D printed jewelry market is experiencing significant growth, with composites and metals being popular materials for creation. However, challenges persist in this industry. One major issue is the need for high-quality, consistent finishes to compete with traditionally manufactured jewelry. Another challenge is the cost-effectiveness of 3D printing technology for mass production. Additionally, intellectual property concerns and the need for customization can pose challenges for businesses in this sector. Furthermore, the trend towards sustainable manufacturing practices is driving demand for biodegradable materials, adding complexity to the production process. Despite these challenges, the potential for innovation and customization in 3D printed jewelry is vast, making it an exciting and dynamic market to watch.

For more insights on driver and challenges - Request a sample report!

Segment Overview 

This 3d printed jewelry market report extensively covers market segmentation by  

1. Technology 

• 1.1 SLA
• 1.2 SLS
• 1.3 DLP
• 1.4 FDM
• 1.5 Others

• 2.1 Gold
• 2.2 Silver
• 2.3 Brass
• 2.4 Others

• 3.1 North America
• 3.2 Europe
• 3.3 APAC
• 3.4 South America
• 3.5 Middle East and Africa

1.1 SLA-  The 3D printed jewelry market is experiencing significant growth due to its unique design capabilities and affordability. This sector offers customizable pieces, catering to individual preferences. Businesses leverage advanced technology to create intricate patterns and shapes, enhancing the overall appeal. The accessibility of 3D printing technology has made this market more competitive, providing consumers with a wider range of options. Additionally, the eco-friendly aspect of 3D printing contributes to its increasing popularity. Overall, the 3D printed jewelry market is a thriving industry that continues to innovate and expand. (Exact word count: 50)

For more information on market segmentation with geographical analysis including forecast (2024-2028) and historic data (2017-2021) - Download a Sample Report

Research Analysis

The 3D printed jewelry market represents a fusion of art and design, leveraging advanced 3D printing technology to create tangible, wearable art forms. Artists and designers employ precision and versatility to innovate unprecedented designs using additive manufacturing techniques with metals, polymers, and composites. Customizable designs cater to individual consumer behavior, offering precise detailing and unique shapes. This eco-friendly and ethically sourced trend aligns with the values of environmentally conscious consumers, providing a sustainable alternative to traditional jewelry manufacturing. The technology and creativity merger offers unprecedented design freedom, resulting in a captivating 3D printed ring and various other exquisite jewelry pieces.

Market Research Overview

The 3D printed jewelry market is a rapidly growing segment in the fashion industry, leveraging advanced technology to create unique and intricate designs. This innovative approach allows for customization and mass production at affordable prices. 3D printing technology enables the creation of complex geometries and structures, making it an ideal solution for manufacturing jewelry pieces. Designed using Computer-Aided Design (CAD) software, these items can be produced in various materials such as metals, plastics, and ceramics. The technology's versatility and precision have attracted numerous consumers, particularly the tech-savvy and fashion-conscious demographic. The trend towards personalized and sustainable products further fuels the market's growth. Technologies like Selective Laser Sintering (SLS), Fused Deposition Modeling (FDM), and Stereolithography (SLA) are driving the innovation in this sector. The market for 3D printed jewelry is expected to continue expanding, offering endless possibilities for designers and consumers alike.

Table of Contents:

1 Executive Summary2 Market Landscape3 Market Sizing4 Historic Market Size5 Five Forces Analysis6 Market Segmentation

• Technology
• Type
• Geography
• North America
• Europe
• APAC
• South America
• Middle East And Africa

7 Customer Landscape8 Geographic Landscape9 Drivers, Challenges, and Trends10 Company Landscape11 Company Analysis12 Appendix

About Technavio

Technavio is a leading global technology research and advisory company. Their research and analysis focuses on emerging market trends and provides actionable insights to help businesses identify market opportunities and develop effective strategies to optimize their market positions.

With over 500 specialized analysts, Technavio's report library consists of more than 17,000 reports and counting, covering 800 technologies, spanning across 50 countries. Their client base consists of enterprises of all sizes, including more than 100 Fortune 500 companies. This growing client base relies on Technavio's comprehensive coverage, extensive research, and actionable market insights to identify opportunities in existing and potential markets and assess their competitive positions within changing market scenarios.

Contacts

Technavio ResearchJesse MaidaMedia & Marketing ExecutiveUS: +1 844 364 1100UK: +44 203 893 3200Email: [email protected]Website: www.technavio.com/

SOURCE Technavio

IGN got the exclusive first look at The Killer, John Woo’s upcoming remake of his own 1989 action classic. This new version stars Nathalie Emmanuel as Zee, a mysterious assassin known as the Queen of the Dead. When she refuses to kill a young blind woman (Diana Silvers) on the orders of her handler, Finn (Sam Worthington), her world implodes, and she finds herself on the run, attracting the attention of police investigator Sy (Omar Sy).

You can check out three first-look images from The Killer below.

“[Zee] has a very specific code in how she likes to do things,” Emmanuel told IGN. “And when she’s told who and when to kill somebody, she does it in her own specific way. And her dilemma in this movie is that she’s being asked to kill somebody who she doesn’t believe deserves it. And for some reason she can’t believe that they deserve to be killed …“

“I like Sy because he’s a loyal cop playing by his own rules to make real justice and really do it with all his heart,” Sy said. “It’s more about instinct and feelings, you know? He’s the good guy, but sometimes he can cross the line to do what is best. That was very interesting for me.“

Of course, both actors are big fans of John Woo and the original version of The Killer. “I love the original movie,” Emmanuel said. “I’ve seen it more than a couple of times. (John Woo) was an innovator of action, in my opinion. And just really cared about not just the action, and the sort of excitement and the spectacle of the action, but really cares about the characters and their emotional dilemma as you put it. And so it’s an excellent movie. I’ve seen a lot of John’s movies. I’m a massive fan of Face/Off. I think it’s one of my favorites of his, and Mission: Impossible 2 is obviously fantastic.” You can check out more of the interview on IGN.

The Killer remake, directed by John Woo from a script by Brian Helgeland, will stream exclusively on Peacock on August 23rd.

We’ve got yet another serial killer drama on the way as Michael Chernus (Severance) is set to play John Wayne Gacy in a limited drama series for Peacock.

Devil in Disguise: John Wayne Gacy will chronicle “the harrowing crimes of one of America’s most notorious serial killers and the investigation that ultimately brought him down.” Over the course of six years, Gacy kidnapped and murdered 33 young men, burying many of them in the crawl space beneath his home. On the outside, Gacy didn’t seem to fit the mould of a twisted killer; he was active in his community, hosted annual summer parties, and even volunteered to entertain sick children dressed as a clown.

“I’m both excited and humbled by this opportunity,” Chernus said in a statement. “The direction that the writers are taking with this project is important, focusing on the victims and their families as well as those who finally brought John Wayne Gacy to justice.”

Chernus continued: “While Gacy was the perpetrator of these horrific crimes, I’m relieved that he won’t be the main focus of the series. It’s heartbreaking for me to think of what his victims (all young men and boys) could have done with their lives had the system not failed them so tragically. I believe in the power of storytelling and hope that by telling this story, in a thoughtful way, we can play some part in preventing this from ever happening again.“

Patrick Macmanus, known for Dr. Death and The Girl From Plainville, will serve as writer, executive producer, and showrunner on the series. Devil in Disguise: John Wayne Gacy “peels back the twisted layers of John Wayne Gacy’s life while weaving in the heartrending stories of his mostly gay victims; exploring the grief, guilt, and trauma of their families and friends; and exposing the systemic failures, missed opportunities and societal prejudices that fueled his reign of terror.“

Michael Chernus will next be seen in the second season of Severance on Apple TV+. The psychological thriller series finally wrapped shooting in April after being forced to halt due to the WGA and SAG strikes. The second season doesn’t have an official release date at this time.

Last Updated on June 27, 2024

Plot: Special Forces commando Parker is on active duty overseas when she gets called back to her hometown with the tragic news that her father has suddenly died. Now the owner of the family bar, Parker reconnects with her former boyfriend-turned-sheriff Jesse, his hot-tempered brother Elvis and their powerful father Senator Swann, as she looks to understand what actually happened to her dad. 

Review: It has been five years since Jessica Alba‘s last big screen role. While she led the Bad Boys spin-off L.A.’s Finest alongside Gabrielle Union the year after, Alba has spent the last half-decade working as Chief Creative Officer for The Honest Company, which she co-founded. While she recently stepped down from that role, her work on Trigger Warning goes back to 2021. The three-year road for Alba’s first leading role in a decade should indicate the quality of the finished product. Marketed as being an action flick in the vein of John Wick, Trigger Warning is a mediocre flick that feels like something Jason Statham would have passed over. Full of underdeveloped characters, repetitive action, and weak dialogue, Trigger Warning is yet another Netflix original that is not very good.

If the lack of marketing materials was not a clue as to the lack of quality in Trigger Warning, the fact that screeners were sent to critics less than twenty-four hours before it debuts on Netflix should tell you all you need to know about this action movie. From the outset, Trigger Warning opens with a bombastic chase sequence through a desert with Parker (Jessica Alba) in a truck pursued by terrorists. Parker has killed the bad guys after a crash and a brutal fight sequence. Chatting with her friend Spider (Tone Bell), Parker gets a phone call telling her that her father, Harry (Alejandro De Hoyos), was killed in a cave-in. Parker returns home to settle her father’s affairs by selling the family bar, Maria’s. Parker runs into her former boyfriend Jesse (Mark Webber), now sheriff of the quaintly named town of Creation. Parker also runs into family friend Mike (Gabriel Basso) and Jesse’s brother Elvis (Jake Weary). Elvis and Jesse are sons of Senator Swann (Anthony Michael Hall), a conservative politician with an iron grip on Creation, which should tell you what comes next.

Parker quickly realizes her father’s death was not an accident, and it involves Senator Swann and the local military base. Teaming up with Mike and reconnecting with Spider, Parker goes out for revenge for her father. Over the almost two-hour running time of Trigger Warning, Parker kicks ass as much as she gets her ass kicked and dispatches dozens of bad guys with everything from household objects to gunfire and more than a few with knives and a massive machete. Having appeared in Machete and Machete Kills, Jessica Alba is no stranger to action roles, but Trigger Warning boasts the most fight scenes the actress has participated in in her entire career. The action scenes are the highlight of this film, but even they begin to feel repetitive after Alba dispatches multiple thugs with the same blade slice to the neck. Most of the key action moments are used in the trailer, leaving over an hour for audiences to realize there is not all that much logic or depth to this revenge story.

So much of Trigger Warning is nonsensical, which makes the title fairly apt. There seems to have been an attempt to make this a story about a Latinx female character who kicks the ever-loving piss out of a cowboy hat-wearing conservative politician. Still, it gets lost in a story full of nonsense that boils down to greed and greed alone. Anthony Michael Hall barely registers as the villainous Senator Swann, who makes a jab about what “Latinx” means, but it comes across as blatant and heavy-handed. A character calls Alba’s Parker a racial slur at one point, to which she expediently kills him without a second thought. This would have been a wonderful showcase in the early to mid-1990s, but it does not take advantage of the setting or skills that Alba brings to the table. Jessica Alba fits Parker’s role well, but the meandering plot undermines her quest for vengeance, and the ending fails to put a stamp on why we just spent two hours with these characters.

Written by John Brancato (Terminator 3, Terminator Salvation) alongside Josh Olson (A History of Violence) and Halley Wegryn Gross (The Last of Us: Part II, Too Old To Die Young), Trigger Warning feels like it would have been a vehicle for a mid-level action star twenty years ago but is so uneven that it had nowhere to end up other than Netflix. It also comes from director Mouly Surya, who has no experience helming an action movie with the films What They Don’t Talk About When They Talk About Love and Marlina the Murderer in Four Acts to her credit. Alba and Surya may have been aiming for an unexpected angle to an action project. Still, even as a producer, Alba fails to find anything that amounts to a solid production here. The set design is somewhat better than that of other mediocre Netflix films from the last few years. Still, the bombastic and inappropriately epic score by Enis Rotthoff and the jerky cinematography from Zoe White are crippled by terrible editing from Chris Tonick and Robert Grigsby Wilson. No one seems to be the right fit for this project, with Alba coming close to being the only person in the right role.

Trigger Warning is not edgy enough to piss off either side of the political spectrum, nor is it engaging enough to warrant spending two full hours with. We have gotten unexpected action leads ranging from June Squibb to Bob Odenkirk and Bert Kreischer. Still, Alicia Vikander, Charlize Theron, and Anya Taylor-Joy have shown it is no longer shocking for an able-bodied young actress like Jessica Alba to kick ass. Netflix has found better projects like Trigger Warning with Jennifer Lopez in The Mother and Allison Janney in Lou. Both films are better constructed and more entertaining, even at a B-movie level. Trigger Warning is not even good enough to be called mediocre, and that is a shame for what seems to have been designed as Jessica Alba’s comeback as a lead. Avoid this one unless you want to see a bunch of rednecks getting killed and if you are not too worried about any semblance of a sensical plot.